Visual arts & new media

Go Behind the Scenes with the AFA's Art Collections Manager!

Before any AFA artwork is sent out for an exhibition or loan, it is thoroughly assessed to make sure it is in good condition—and that includes ensuring the artwork is clean.

So what does it take to get an artwork in show-worthy shape? A little elbow grease, distilled water and a vacuum!

Art Collections Manager Erin McDonald shows us how to go about cleaning an artwork—in this case, it’s Arlene Stamp’s Nova, which is going to the Glenbow for an upcoming exhibition. Nova is comprised of vinyl tile (the kind you’d find on kitchen floors), and the medium determines what cleaning technique will be best.

                   

First, Erin removes any surface dust using a hand-held, manual air blower to lift the dust from the surface, followed by a light vacuuming.

                   

The next step is to apply a cleaning agent. The least invasive cleaning agent is always the first choice; in this case, it's starting with distilled water. Very carefully, Erin applies the cleaner to the surface of the artwork and wipes it using a fine, microfiber cloth.   

Erin will not use a spray bottle to apply the water, as she doesn’t want to oversaturate the artwork and have water seep into the wood support of the artwork.

Erin will repeat this process, square by square, until finished—which will take approximately eight hours.

See more of Arlene Stamp’s artwork in the AFA collection.

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What does it take to get an artwork in show-worthy shape? Find out!

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Survey Results | The New Experience Economy - Wave 2

The Alberta Foundation for the Arts is pleased to be a funding partner in this collaboration with Stone-Olafson and other community leaders to develop a long-term research investigation and evaluate how current conditions will reshape Albertans’ attitudes and behaviours towards social and group activities, across a variety of sectors. The purpose of this work is to give leaders of community sports, recreation, arts and culture, professional sports, active living, heritage, tourism or hospitality sectors relevant facts about local audiences that they will need to bring life back to our communities.

The initiative is being funded by: 

This research is being conducted in six waves over the course of the next year. This is a community resource that is FREE to access and results from the second wave of research are now available. The second wave of research builds on the baseline established in May and June by delving into attitudes on comfort, spending, the impact of media, and audience expectations.

Findings and implications for Alberta organizations through Wave 2 results include:

  • Support for the pace of re-opening grows but there are still lingering pockets of disagreement.
  • Comfort levels are creating a new baseline of engagement.
  • Increasing gaps are appearing between audience segments on the pandemic.
  • As restrictions lift, Albertans are pulled by their social motivations and perceptions of safety outdoors.
  • Engagement is (potentially) perishable.
  • Staying connected will mean the development of innovative and hybrid experiences.
  • In a crowded media space, audiences are still listening.
  • Spending is obviously being impacted

The report makes the following recommendations for organizations:

  • Comfort levels are not rebounding just because restrictions are lifting. Organizations need to temper expectations about reconnecting with audiences. You will not be reengaging them in the same you used to. It will take time and it will look different. Plan on it and prepare.
  • Getting audiences comfortable enough to attend is vital. Some of this will rebound over time, and some will be addressed by government, but there are opportunities to build confidence in what you are doing to safeguard their health. Show the steps you are taking and the tools being employed to protect audiences. Building confidence with what you are doing will help increase comfort and, in turn, consideration.
  • Audiences and markets are changing. There are new barriers to address and consider. Organizations will need to understand shifting mindsets of different target audiences in order to engage effectively. This could be a deep opportunity to engage for many organizations who can capitalize on their motivations and expectations.
  • Find your voice. Audiences are listening closely for news around the pandemic and are eager for updates, information or promotions. They want to know when experiences will be available again and are receptive to traditional marketing messages again. In fact, they expect it.
  • Adapting means developing new product and experiences to consume. Staying put or offering what you used to won’t necessarily work. Organizations that can move into hybrid offers (not simply digital alone or in-person alone) that still leverage intrinsic motivations will be well positioned to protect their revenue from competition.

Download the reports:

You can subscribe to receive notifications when the new reports are available by visiting stone-olafson.com

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Second wave of results of a long-term study to gauge Alberta audiences' attitudes towards returning to live arts and culture venues and events.

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Survey Results | The New Experience Economy - Wave 4

This research is being conducted in six waves over the course of the next year. This is a community resource that is FREE to access and results from the fourth wave of research are now available. 

Findings for Alberta organizations from Wave 4 results include:

  • Public perceptions reflect the low point of the pandemic at this time.
  • Albertans are adapting to and following the rules.
  • Change in habits during the pandemic appears to be additive, not alternative
  • Contexts frame marketing in this environment - messages will need to be shifted, media strategies evaluated, and some types of voices changed.
  • Engagement is on hold.
  • Travel within the province is an option. 

What are the implications for Alberta organizations?

  • When conditions permit, recognize you will be reconnecting with a weary population who are more anxious than before. Messages and offers will need to adjust to reflect this reality.
  • As Albertans accept and get used to the restrictions, they expect others to follow them too. A large percentage of those surveyed indicate others not following protocols will dissuade them from attending events/participating in activities. The same applies for not seeing sufficient safeguards in place.
  • As restrictions start to lift, Albertans are likely to start figuring out how to balance a new set of activities they enjoy with their usual activities they want to get back to. And for organizations, that means breaking through a larger competitive set to capture the attention of their audiences. For those that offer registered or directed experiences this may be an even bigger challenge now that people are also adding in more self-directed experiences.
  • Organizations are likely going to need a multi-layered media strategy that can reach influencers who can help propel the message. To be clear, an influencer strategy doesn’t mean a pure social media strategy. It means a strategy of messages and media that are repeatable to others.
  • Organizations have to be prepared to re-engage in stages. When current restrictions lift there will be some appetite to explore and potential opportunities to meet them online or outdoors. In a post-pandemic environment, audiences are very likely to get active again.
  • Focusing on broad messages that reflect a drive to escape everyday stresses and deliver on social motivations will work well to help motivate intra-provincial travel. Reinforcing these main messages with reassurances about flexibility in booking and safety will also be helpful to finalize a decision.

Download the reports:

You can subscribe to receive notifications when the new reports are available by visiting stone-olafson.com

About the project

The Alberta Foundation for the Arts is pleased to be a funding partner in this collaboration with Stone-Olafson and other community leaders to develop a long-term research investigation and evaluate how current conditions will reshape Albertans’ attitudes and behaviours towards social and group activities, across a variety of sectors. The purpose of this work is to give leaders of community sports, recreation, arts and culture, professional sports, active living, heritage, tourism or hospitality sectors relevant facts about local audiences that they will need to bring life back to our communities.

The initiative is being funded by: 

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Fourth wave of results of a long-term study to gauge Alberta audiences' attitudes towards returning to live arts and culture venues and events.

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Here & Now - Michael Magnussen

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Michael Magnussen's artwork, Flaming Helmet, is featured in the 2024 AFA exhibition Here & Now at the Royal Alberta Museum.

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About the artwork

The work is an inkjet print from a series and was created to allow the work to be shown without the physical mask.

This artwork is included in the Here & Now exhibition at the Royal Alberta Museum until September 29, 2024. Learn more about the exhibition.

The AFA acquired this artwork through its Art Acquisition by Application program in 2023. This program is designed to acquire contemporary works of art by any eligible Alberta artist.

Artist statement

The following is an excerpt of Michael Magnussen's artist statement. Read the full statement

This is part of an ongoing match series where I use the material of matches to speak to my identity as a flamboyant or flaming Queer person, often lighting the ornamental work while wearing it. This piece takes the same material but is inspired by a meme I saw during the pandemic. The work is an extension of that meme, and speaks a bit to vulnerability I was experiencing while also trying to express how threatening the virus felt to me at the time.

The work is open to interpretation though the hope is that people get a push and pull sense that there is a struggle between been protected and in danger at the same time.

Artist profile

Michael Magnussen is an artist/curator from rural Saskatchewan, who is based out of Edmonton, Alberta. They hold a Master of Fine Arts in Interdisciplinary Studies at OCAD University, and a BFA from Concordia University in Studio Arts.

They have exhibited their work across Canada and internationally, notable exhibitions include, “Every. Now.Then: Reframing Nationhood” at the Art Gallery of Ontario, “An Index” at the Museum of Contemporary Art, “Wild” at the Textile Museum of Canada, and “Show. 17” at the Idea Exchange.

Michael is a collective member and co-founder of YTB Gallery based out of Toronto, Ontario.

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Here & Now - Michael Magnussen
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Michael Magnussen's artwork, Flaming Helmet, is featured in the 2024 AFA exhibition Here & Now at the Royal Alberta Museum.

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Here & Now - Michael Magnussen
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Michael Magnussen's artwork, Flaming Helmet, is featured in the 2024 AFA exhibition Here & Now at the Royal Alberta Museum.

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Michael Magnussen
Flaming Helmet
2022
Digital photograph on paper
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The AFA's Gail Lint retires after more than 40 years of service

Congratulations to Gail Lint, Art Collections Consultant – Exhibitions, who has retired from the Alberta Public Service after 43 years of working for the Arts Branch/Alberta Foundation for the Arts (AFA).

Gail has contributed greatly to the AFA throughout its existence. She diligently fostered the enjoyment and appreciation of Alberta visual artists through developing an extensive network of connections with artists, curators and others in the visual arts community, curating successful exhibitions such as Narrative Quest, mentoring curators through the AFA’s Emerging Curator Fellowship program, researching and advising on curatorial purchases to fill gaps in the AFA Art Collection, as well as managing the highly successful Travelling Art Exhibition (TREX) program in partnership with four art organizations/galleries. You can learn more about Gail as she features prominently in the 50th Anniversary of the AFA Art Collection video series available on YouTube.

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After more than 40 years in public service, Gail Lint has retired.

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The AFA's Gail Lint retires after more than 40 years of service
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After more than 40 years in public service, Gail Lint has retired

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The AFA's Gail Lint retires from the AFA
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After more than 40 years in public service, Gail Lint has retired.

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Work of the Week showcases Harry Kiyooka

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The AFA has loaned 8 artworks to be included in The Nickle Galleries exhibition of Harry Kiyooka, curated by Mary-Beth Laviolette.

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This week’s Work of the Week spotlights the exhibition HARRY MITSUO KIYOOKA – Artist. Educator. Activist., on now at the Nickle Galleries in Calgary. 

A 70-year retrospective of abstract art, portraiture and early abstract landscapes!
 

The AFA has loaned eight artworks to the gallery for inclusion in the exhibition. The exhibition is curated by Mary-Beth Laviolette and runs until April 27, 2024.

Learn more about the exhibition: nickle.ucalgary.ca/exhibition/harry-mitsuo-kiyooka/

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Work of the Week showcases Harry Kiyooka
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The AFA has loaned 8 artworks to be included in The Nickle Galleries exhibition of Harry Kiyooka, curated by Mary-Beth Laviolette.

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Work of the Week showcases Harry Kiyooka
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The AFA has loaned 8 artworks to be included in The Nickle Galleries exhibition of Harry Kiyooka, curated by Mary-Beth Laviolette.

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Harry Kiyooka art
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Collections Database Image
Image
Title
Red Contiguous
Year
1972
Medium
acrylic on canvas
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Harry Kiyooka
H K Self Portrait
2019
oil on board
Harry Kiyooka
High Yellow
n.d.
silkscreen on paper
Harry Kiyooka
Red Contiguous
1972
acrylic on canvas
Tuscania
c.1962-1966
oil on canvas

Here & Now - Simone Saunders

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Simone Saunders' artwork, The Messenger, is featured in the 2024 AFA exhibition Here & Now at the Royal Alberta Museum.

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About the artwork

The AFA acquired this painting through its Art Acquisition by Application program. This program is designed to acquire contemporary works of art by any eligible Alberta artist. The next deadline to apply is April 2, 2024. Read the guidelines and apply.

The AFA acquired this artwork through its Art Acquisition by Application program in 2023. This program is designed to acquire contemporary works of art by any eligible Alberta artist.

Artist statement:

The following is an excerpt of Simone Elizabeth Saunders' artist statement. Read the full artist statement

My work uplifts Black womanhood, and the resilience, joy and the strength of being a Black woman. Textiles engage upon a search for belonging, a connection to a community, to personal identity and a connection to Black history. I create narratives through cultural mythology, current iconography, and personal landscapes. A big source of inspiration within my work is Art Nouveau, an era in which female portraiture was highlighted and exuded tremendous grace and femininity. This is reflected within The Messenger, capturing a sensuality, mystery, vigor and charm amongst the vibrancy of colour. It is a style that I capture within my textiles which I have called, Black Nouveau.

Artist profile

Simone Elizabeth Saunders (she/her) is a textile artist based in Mohkinstsis - Calgary, Canada. She holds a B.F.A. with Distinction from the Alberta University of Arts in 2020. Her textiles are hand tufted in the medium of rug-making using a punch-needle and tufting machine.

Saunders explores themes of the diaspora, ancestorship and Black womanhood. Her colourful textiles highlight motifs and iconography from her Jamaican heritage and engage with socio-cultural factors reclaiming power from oppressive ideologies.

Simone has a career in the theatre arts, a previous B.F.A. from the University of Alberta’s Acting Conservatory. Weaving her theatre experiences and integrating dramatism and story-telling within her creations - Simone uplifts narratives of Black joy and resilience. 

​Simone was the recipient from Calgary Black Chambers 2023 Achievement Award for Arts, Media and Entertainment. Simone was named one of 20 "top Compelling Calgarians for 2022" and "Top 40 Under 40" of Calgarian Professionals, by Avenue Magazine. Simone was awarded the National Winner for the Bank of Montreal's 1st Art Competition in 2020. 

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Work of the Week: The Messenger by Simone Saunders
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Celebrating Black History Month 2024, we feature our recent acquisition from Calgary-based artist Simone Saunders.

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Work of the Week: The Messenger by Simone Saunders
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Celebrating Black History Month 2024, we feature our recent acquisition from Calgary-based artist Simone Saunders.

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Simone Saunders
Title
The Messenger
Year
2021
Medium
velvet, acrylic, wool, and metallic yarn on rug warp
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Simone Saunders
The Messenger
2021
velvet, acrylic, wool, and metallic yarn on rug warp

Spotlight on Arts Audiences - Wave 2 Results

The AFA is supporting a two-year research project conducted by Stone-Olafson on current engagement of arts audiences in Alberta. We are pleased to share the second set of results ("Wave 2").

This work was developed for the arts sector exclusively and is designed to provide specific, relevant, and reliable facts to support the leaders in the arts sector as they seek to understand their audiences and grow attendance.

Key topic areas for Wave 2 include:

  • Exploring arts audiences' engagement and general perceptions
  • Understanding audiences’ preferences for content, programming, and ticket purchasing
  • Understanding opportunities for increasing support and engagement through fund development

Results

Watch the team from Stone-Olafson report on the findings from the first wave of research in the Spotlight on Arts Audiences project

Download the reports:

About the project

The AFA has partnered with the Rozsa FoundationCalgary Arts DevelopmentCalgary FoundationEdmonton Arts Council, and Edmonton Community Foundation, to support the Spotlight on Arts Audiences research project. The work will survey arts-inclined audiences in Calgary, Edmonton, and across the province to provide data that is useful and timely for arts leaders and organizations three times per year over the next two years.

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Second set of results of a long-term study on understanding Alberta arts audiences. Watch a presentation of the report.

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Spotlight on Arts Audiences - Wave 2 Results
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Second set of results of a long-term study on understanding Alberta arts audiences. Watch a presentation of the report.

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Spotlight on Arts Audiences - Wave 2 Results
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Second set of results of a long-term study on understanding Alberta arts audiences. Watch a presentation of the report.

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Work of the Week selection inspired by Pink Shirt Day

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Pink Shirt Day is a significant day that raises awareness about bullying.

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February 28, 2024 is Pink Shirt Day. It was first started in Canada in 2007 and is a significant day that raises awareness about bullying.

In recognition of this day, we would like to share the late Violet Owen’s Pretty in Pink.

You can access resources to help you or someone you know who is being bullied, and learn how to prevent bullying.
 

www.alberta.ca/bullying

Violet Owen
Pretty in Pink, 1995
Oil on canvas
Collection of the Alberta Foundation for the Arts

About the artist

Violet Owen passed away on January 21, 2024, at the age of 93.

Owen was a professional artist for over six decades and played an important role in molding the foundation of Edmonton's art scene. The AFA is proud to hold a number of Owen's artworks within its Art Collection.

We extend our condolences to her family and friends.

Violet Owen’s oeuvre features paintings, drawings, and sculptural work, all deeply rooted in explorations of the female form. Inspired by modernist art movements including post-impressionism and German expressionism, Owen wrestles with ideas of form and mood in her work, articulated through pose, placement, and the strongly accentuated forms of the models she paints.

Owen graduated from the Department of Drawing and Painting at the Ontario College of Art and Design in 1953, and has continuously developed her strong aptitude for drawing and colour. There is a spontaneity and restless energy in Owen’s work, as if the artist clearly follows her own path rather than following a group esthetic. She attributes this attitude and her ability to work without fear to the longevity of her practice. During an interview in the early 1970’s, she explained more: "As you get older, you get more aggressive. Sometimes you're afraid to do certain things but the older I get, the less afraid I am … what the hell!"

Owen worked solely with artist and model Mimi Mah for fifteen years, capturing the many facets of this single personality with utter clarity. She once declared the figure to be the most challenging subject to paint, and after building up a lifetime of body art captured in chalk, pencil and paint on paper, canvas, and Plexiglass, she has grown comfortable in her own skin, and with exploring the essence of female sexuality.

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Work of the Week selection inspired by Pink Shirt Day
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Pink Shirt Day is a significant day that raises awareness about bullying.

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WotW selection inspired by Pink Shirt Day
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Pink Shirt Day is a significant day that raises awareness about bullying.

Art discipline
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Image
Artist
Violet Owen
Title
Pretty In Pink
Year
1995
Medium
oil on canvas
Collections Images Slideshow
Violet Owen
Pretty In Pink
1995
oil on canvas