Bold Women

DATE : February 28, 2025

Faye HeavyShield
blood, 2004
cotton, cotton string, acrylic

Two of Kainai artist Faye HeavySheild’s installation artworks, blood and homecoming, from the AFA’s Art Collection have been selected for Bold Women, a landmark exhibition at the Spencer Museum of Art at the University of Kansas. 

The show features over forty primarily Indigenous, Black, Newcomers and LGBT women artists as well as those of gender non-conforming identities whose visionary ideas and experimentation demonstrate the concept of boldness through challenging dominant institutional, cultural and social boundaries and reshaping historical narratives. 

Set to open February 18 and running through to July 6, 2025, the exhibition includes 75 artworks from various disciplines including photography, sculpture, textiles, paintings, video, installations and is organized across four galleries each exploring one element of boldness:

• Portrayal / Resistance: ways that portrayals can deny visibility
• Collective Preservation / Liberation: women preserving, healing, and liberating communities across generations
• Nature / Erasure: the erasure of women’s contributions, in conversation with nature
• Wisdom / Knowledge-keeping: transmitting knowledge and women as connectors

The exhibition was curated by Susan Earle, the Spencer Museum’s curator of European and American Art, along with a team of diverse curatorial collaborators from across North America including the Brooklyn Museum’s Curator Dr. Kimberli Grant and Wanda Nanibush, an Anishinaabe curator from the Beausoleil First Nation in Ontario among others. 

About the artist

Faye HeavyShield is a member of the Blood Nation. She graduated from the Alberta College of Art in 1985, and continued her studies at the University of Calgary. Gaining prominence and recognition in the past few years, her work has been the subject of many solo shows including major exhibitions of First Nations contemporary art. HeavyShield's work is a fusion of highly evolved personal and powerful imagery influenced by her Christian and Blood upbringing. Her minimalist installations are metaphors of the human body and a reflection of her personal experiences.