AFA News

Women's History Month: Celebrating the diversity of women through the arts

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Celebrate women's history month by visiting local exhibitions curated by women and featuring artwork from the AFA Art Collection.

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Women's History Month
 

October is Women's History Month: a time to celebrate the achievements of the women and girls from our past and present. We encourage Albertans to celebrate women in the arts by engaging with local organizations and artists.

To celebrate this month, we are pleased to highlight three current Alberta-based exhibitions curated by women, and featuring a few artworks from the AFA's very own collection. 

Red Deer Museum + Art Gallery - Shirley Rimer: A Chronicle in Clay 
Curated by Mary-Beth Laviolette
On now until December 2, 2023

Installation view of Shirley Rimer: A Chronicle in Clay.
Images provided by Red Deer Museum + Art Gallery.

About the exhibition

A longtime Red Deer resident, Rimer is one reason why the city shines as a centre for ceramic art. A Red Deer College (Polytechnic) graduate, as an instructor, curator and cultural community builder, Rimer’s own artistic accomplishments are the highlight of this special exhibition of ceramic sculpture.

Featuring over 30 artworks made in the past 40 years, a chronicle about their making and Rimer’s personal discovery of clay traditions in other countries: Greece, Turkey, Mexico, India, France, Italy, China and America. They are about handbuilding in clay, reinterpreting the vessel, communicating with colour and reflecting on subjects like family, culture and heritage here in Alberta and abroad.

This exhibition features four Shirley Rimer artworks from the AFA Art Collection:

  • Body Language
  • Village Life
  • Red Fish
  • Purple Flowers

Calgary - Nickle Galleries - The Art of Faye HeavyShield
Curated by Felicia Gay
On now until December 9, 2023


Photo credit: Andy Nichols, LCR PhotoServices., courtesy of the MacKenzie Art Gallery.

Red Dress, 2008, nylon, cotton, metal and paper tags, glass beads.
Collection of the Alberta Foundation for the Arts
The Art of Faye HeavyShield, organized and circulated by the MacKenzie Art Gallery.
Financed by the Government of Canada. Curated by Felicia Gay.

About the exhibition

The Art of Faye HeavyShield will present work that spans forty years of her practice. The exhibition situates HeavyShield as a major contributor to contemporary Indigenous art through her creation of a new aesthetic vocabulary. While bearing a resemblance to conceptual installation, her work is rooted in the deep art history of the Canadian prairies and in personal/communal experience.

This exhibition features Faye HeavyShield's artwork Red Dress, which is from the AFA Art Collection. 

Edmonton - Art Gallery of AlbertaSecond Skin 
Curated by Lindsey Sharman and Danielle Siemens
On now until December 31, 2023 


Photography by Charles Cousins, courtesy of the Art Gallery of Alberta

Left: Caitlin Thompson, Rhizome (Hot Gossip), 2017, Fabric, thread, fake nails, decoy eyes, rhinestones, tassels, cording, buttons, plastic, paint, Velcro. Collection of Alberta Foundation for the Arts. Installation view of Second Skin, Art Gallery of Alberta, 2023.
Right: Pamela Norrish, Outfit for the Afterlife, 2015. Glass beads, nylon thread. Collection of the Alberta Foundation for the Arts. Installation view of Second Skin, Art Gallery of Alberta, 2023

About the exhibition

The works in this exhibition trace the boundaries of the body and reference garments and adornment in many forms. These literal and symbolic objects of attire allow their ‘wearer’ to explore a myriad of issues including identity and representation, objectification and empowerment, mythology and history, imagined futures and the afterlife. 

This exhibition features two artworks from the AFA Art Collection: 

  • Outfit for the Afterlife - Pamela Noorish
  • Rhizome (Hot Gossip) - Caitlin Thompson

 

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Women's History Month: Celebrating the diversity of women through the arts
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Celebrate women's history month by visiting local exhibitions curated by women and featuring artwork from the AFA Art Collection

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Women's History Month: Celebrating women
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Celebrate women's history month by visiting local exhibitions curated by women and featuring artwork from the AFA Art Collection

Collections Database Image
Image
Artist
Pamela Noorish
Title
Outfit for the Afterlife
Year
2015
Medium
Glass beads, nylon thread
Collections Images Slideshow
Shirley Rimer
BODY LANGUAGE
1991
earthenware
Shirley Rimer
Village Life
2007
porcelain
Pamela Noorish
OUTFIT FOR THE AFTERLIFE
2010-2015
glass beads and nylon thread
Faye HeavyShield
Red Dress
2008
nylon, cotton, metal and paper tags, glass beads
Shirley Rimer
Red Fish
2007
porcelain
Shirley Rimer
Purple Flowers
2007
porcelain

Truth and Reconciliation Day 2023

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A message of acknowledgement of Truth and Reconciliation Day from the Alberta Foundation for the Arts board of directors.

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Featured artwork:
GRANDE ENTRY
By Jessica Desmoulin – 2019 – felted wool, beads and leather
Collection of the Alberta Foundation for the Arts
 

A message from Paul R. Baay on behalf of the Alberta Foundation for the Arts (AFA)

On this third National Day for Truth and Reconciliation (also known as “Orange Shirt” Day), on September 30, 2023, I will take some time to reflect on how the AFA can support and advance the Truth and Reconciliation Commission of Canada's Calls to Action, published in 2015. 

At the AFA, our mandate is to support, encourage and promote artistic activity for all residents of Alberta, which includes lands that are parts of Treaty 4, Treaty 6, Treaty 7, Treaty 8 and Treaty 10, as well as eight Métis Settlements. We primarily work in the area of contemporary artistic activity which, as the legacy of colonization and Canada's residential system continues to be brought to the fore, will be more and more reflected, examined, and resonated by artists of all backgrounds and disciplines in contemporary practice.

Our job is to continue to encourage and help increase participation and arts education by Indigenous artists. Our job is to continue to celebrate the unique artistic and cultural expressions of the mosaic of Indigenous peoples that reside in Alberta. And, our job is to continue to promote the exchange of ideas and artistic collaborations between Indigenous and non-Indigenous artists and arts workers to help build mutual respect and understanding in our arts community. 

That's why our board decided to nurture and promote Equity, Diversity, Inclusion, and Accessibility through arts-related programming by Indigenous, visible minorities, or deaf and disability artists to engage audiences in and through the arts through the 2023 cycle of our Organization Activation Projects grant program. While the AFA will provide up to $20,000 for projects by a single organization, we will increase that maximum amount to up to $50,000 for partnership projects. 

We at the AFA encourage all Albertans to be more informed about the history and legacy of residential schools, and to explore the rich culture and artistic expression of Indigenous peoples of Turtle Island.

About the featured artwork:
Grande Entry by Jessica Desmoulin

This artwork was acquired through the AFA's Art Acquisition by Application program in 2020. This program is designed to acquire contemporary works of art by any eligible Alberta artist through a competitive application program. 

  • This artwork, as well as Autumn Sky, were both part of 38 artworks purchased through this program in 2020. 

At the AFA, we actively support Indigenous Arts as a unique, distinct arts discipline. We also collect artworks by Indigenous artists through the AFA Art Collection to preserve, exhibit and promote. I continue encourage everyone reading this message to visit the AFA Virtual Museum and view the Indigenous collection as part of your learning and reflection on Truth and Reconciliation Day.

About the Artist

Jessica Desmoulin is Ojibway of the Pic River First Nation. As a child, she lived in Rochester, AB and later in Sparwood, BC. She currently lives with her family in Edmonton, AB.

After the birth of her second child, Desmoulin developed an illness that left her unable to work outside the home. She took this opportunity to approach her art seriously and began to paint canvasses and occasionally buffalo skulls in the new Woodland style. Her works, which connect her to her ancestral memories, explore the essential role colour plays in creating a design and reflect nature and the patterns in its creations, such as the rings of a tree, the waves in the ocean, the cracks in the earth and the petals on a flower.

Animals often appear in her paintings, both as symbols and reflections of her family and loved ones and as the totems she approaches for spiritual guidance. Her use of copper, silver, gold, and bronze reminds viewers of the precious materials in our environment and that we need to cherish our world.

Desmoulin has participated in several regional exhibitions, including "Patterns in Nature", "Animal Speak", and "Nurturing the Spirit" at Edmonton’s Bearclaw Gallery (2013, 2014, 2016). Her artwork has been featured on the covers of Alberta Native News (November 2014, September 2016), used as the logo for the Spirit Runner app, which promotes positive lifestyles for aboriginal youth and is held in the collection of the AFA.

See all of Jessica Desmoulin's artworks currently included in the AFA Art Collection.

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Truth and Reconciliation Day 2023
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A message of acknowledgement of Truth and Reconciliation Day from the Alberta Foundation for the Arts board of directors.

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Truth and Reconciliation Day 2023
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A message of acknowledgement of Truth and Reconciliation Day from the Alberta Foundation for the Arts board of directors.

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Jessica Desmoulin
GRANDE ENTRY
2019
Jessica Desmoulin
GRANDE ENTRY
2019
(back view) felted wool, beads and leather

Celebrating Asian Heritage Month

May is Asian Heritage Month, a time to celebrate and recognize the achievements and contributions of Asian and South Asian communities across the country, and throughout the province.

The AFA is pleased to recognize a few individuals that have enriched, supported and diversified the arts within our province.

Artists featured in Here & Now

We are pleased to share artist profiles of two of the 12 artists featured in the AFA exhibition, Here & Now, at the Royal Alberta Museum. 

Raeann Kit-Yee Cheung

Born in Hong Kong and raised in Canada, Raeann Kit-Yee Cheung is a photographer who leans on a dual heritage to create work that is both personal and universal. Having immigrated almost five decades ago, Raeann has come to accept she is neither Chinese nor Canadian, but rather someone who embodies a rich ambiguity that helps her confront melded identities to resolve inner complexities.

Wei Li

Wei Li is a Calgary-based emerging Chinese Canadian visual artist, whose experience as an immigrant to Canada, provides her with crucial inspiration in her artistic practice. Her dual cultural background challenges her to integrate different cultural perspectives in her works and creates tensions through the contradictions inherent in forming a new hybrid cultural identity.

Get to know Wei as she shares the stories behind her new digital series, Vessels, and a bit about herself in her AFA Artist Spotlight.

AFA Board Directors

The AFA Board of Directors includes arts champions from across the province, appointed by the Government of Alberta.

Le Bo

Le Bo is the Vice Chair of the AFA's Board of Directors. He has a passion for learning and volunteerism.He actively organizes and leads community events and participates in cultural events and exhibits. Le Bo is a successful entrepreneur who founded and served as the CEO and Chairman of an oil and gas company that was eventually listed on the Hong Kong Stock Exchange after 15 years of operation. In addition, Le Bo has founded multiple private companies in IT, robotics, and software.

Hear Le Bo speak on the importance of creating diversity in the arts. 
Watch

Nabil Malik

Nabil Malik a Member of the AFA's Board of Directors. A resident of the Wood Buffalo region, Nabil is a progressive and creative contributor to the cultural fabric of his community.  In his work as a community development planner by day and an active volunteer by night, he advocates for the vital role the arts play in placemaking, creating vibrant communities, and fostering a sense of identity and belonging. 

Hear from Nabil on the importance of the arts and the role of the AFA.
Watch

Shana Yang

Shana Yang is a Member of the AFA's Board of Directors. She is a passionate and active member of Calgary’s music and arts communities. Shana received the Queen Elizabeth II’s Platinum Jubilee Medal, and has over 20 years of experience in vocal training and choral conducting. She is currently the Artistic Director of an Alberta registered non-profit choral organization she founded in 2004, and a music instructor at the Mount Royal Conservatory. Shana looks forward to helping local art communities strengthen and flourish.

Hear from Shana as she shares how the arts can grow in Alberta.

Watch

As we celebrate those that have supported and enriched the arts in Alberta, we encourage you to take part in any and all events recognizing and honouring Asian Heritage Month.

Learn more about how the AFA is addressing equity, diversity, inclusion and accessibility in and through the arts. 

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Celebrating and recognizing the achievements and contributions of Asian and South Asian communities throughout the province.

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Celebrating and recognizing the achievements and contributions of the Asian and South Asian communities throughout the province.

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Celebrating and recognizing the achievements and contributions of the Asian and South Asian communities throughout the province.

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Budget 2024

A Message from AFA Board Chair Paul R. Baay

On February 29, the Alberta government announced Budget 2024. I am pleased to share that funding for the Alberta Foundation for the Arts (AFA) was increased by $4.5 million, or by 18 percent from last year, to $30.1 million for 2024-25.

In addition to this year’s increase, the government has committed to incrementally increasing funding to the AFA so that it will reach nearly $40 million by 2026.

The AFA board is incredibly pleased with the government’s increased investment in the arts, and I know this will be good news for those in our arts community. We look forward to utilizing additional resources to continue to support the development of the arts in all corners of the province by funding artists, arts activities that engage audiences, and the organizations that bring them together. 

As usual, the AFA board will work on a plan for allocating its budget amongst our programs and services that will best utilize resources including the budget increase. Once that plan is approved, we will communicate our funding approach to the community. At this time, the AFA has not made any decisions related to program funding allocations.

The AFA board will work to ensure our spending plan is reflective of community priorities and continues to be informed by engagement with the sector. In line with our mandate, we will continue to prioritize and invest in artists, art, and cultural materials. 

As the government’s approach is incremental, the AFA’s will be as well: we will carefully and responsibly plan for increased resources as they are allocated to the foundation.

The board acknowledges the valuable feedback received from Alberta’s arts community over the past year. Alberta’s arts community is ready to thrive, not just survive, in a healthy and vibrant creative environment. Increased investment will help but we also recognize that collaboration and information sharing will be vital to support the sector to redefine success in a post-pandemic world.

We appreciate your continued engagement and look forward to sharing further updates with you soon.

Paul Baay
Chair, Alberta Foundation for the Arts 

Budget 2024 information

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In Budget 2024, funding for the AFA is increasing to $30.1 million. Read our full statement on the AFA budget.

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In Budget 2024, funding for the AFA is increasing to $30.1 million. Read our full statement on the AFA budget.

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In Budget 2024, funding for the AFA is increasing to $30.1 million. Read our full statement on the AFA budget.

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Patch Portraits at TREX Space

Patch Portraits

February 3, 2024 to April 6, 2024

Patch Portraits showcases the work of Michelle Sound and Raneece Buddan, two artists who employ fabrics and materials of cultural heritage to explore the genre of portraiture and identity.

Stitching, patching and collaging together found and fabricated textiles, the resulting bodies of work by each artist showcase multiple ways in which threads and fabrics can be deployed in contemporary art practices. 

TREX Space is located in downtown Medicine Hat, #2 - 516 Third Street SE

www.esplanade.ca/esplanade-exhibitions-programs-and-shows/patch-portraits

Curated by Genevieve Farrell

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Patch Portraits showcases the work of Michelle Sound and Raneece Buddan.

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Patch Portraits showcases the work of Michelle Sound and Raneece Buddan.

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Patch Portraits showcases the work of Michelle Sound and Raneece Buddan.

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Cat's Cradle at TREX Space

Cat's Cradle

February 3, 2024 to April 6, 2024

The travelling exhibition Cat's Cradle features work by Alberta artists Sondra Meszaros, Jane Ash Poitras and Angeline Simon.

Work by each artist employs photomontage, a collage technique involving the collecting, organizing, arranging and fixing of photographs and other media into new arrangements.

The resulting artwork can be understood as attempts to dissect and reveal hidden or peripheral histories of identity, emotion, social norms and other cultural-political arenas of both personal and civilizational significance.

TREX Space is located in downtown Medicine Hat, #2 - 516 Third Street SE

www.esplanade.ca/esplanade-exhibitions-programs-and-shows/cats-cradle

Curated by Genevieve Farrell

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The travelling exhibition Cat's Cradle features work by Alberta artists Sondra Meszaros, Jane Ash Poitras and Angeline Simon.

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The travelling exhibition Cat's Cradle features work by Alberta artists Sondra Meszaros, Jane Ash Poitras and Angeline Simon.

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Cat's Cradle at TREX Space
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The travelling exhibition Cat's Cradle features work by Alberta artists Sondra Meszaros, Jane Ash Poitras and Angeline Simon.

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Cradle

Cradle presents the work of three artists, currently residing in Edmonton, who originally come from regions associated with some of the cradles of civilization mentioned above. Arriving in Canada as economic immigrants or refugees from war and conflict, each of these artists is a story teller, sharing in their artworks ancient and rich cultural histories and legacies.

While concerned with specific places and people in their works, however, these artists also strive to address more universal concerns to demonstrate that, regardless of where people come from, we are all one people with similar dreams and desires.

This exhibition features works by Hanny Al Khoury, originally from Palestine; Riaz Mehmood, originally from Pakistan; and Aboud Salman, originally from Syria and was organized by the Art Gallery of Alberta for the Alberta Foundation for the Arts Travelling Exhibition program.

Curated by Shane Golby


 

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Each of these artists is a story teller, sharing in their artworks ancient and rich cultural histories and legacies.

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Each of these artists is a story teller, sharing in their artworks ancient and rich cultural histories and legacies.

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Each of these artists is a story teller, sharing in their artworks ancient and rich cultural histories and legacies.

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Women Gone Wild!

The Alberta Foundation for the Arts (AFA) Travelling Exhibition, Women Gone Wild! explores the subject of wild creatures and the natural world as expressed in the work of three contemporary women artists from Edmonton. Featuring works by Cynthia Fuhrer, Jenny Keith and Samantha Walrod, the depictions of wild creatures presented by these artists range from realistic representations to more abstract and surrealistic impressions. These artists also demonstrate diverse reasons for choosing their subjects. Whatever their artistic approach and intentions, however, all three artists reveal a love and respect for nature in their works and through them invite viewers to ‘go wild‘ as well.

Featuring works by Cynthia Fuhrer, Jenny Keith and Samantha Walrod, the depictions of wild creatures presented range from realistic representations to more abstract and surrealistic impressions.

These artists also demonstrate diverse reasons for choosing their subjects.

While Samantha Walrod emphasizes materiality in her imagery, both Jenny Keith and Cynthia Fuhrer are more concept driven, addressing personal concerns and the relationship of humanity to the natural world in their paintings. 

Curated by Shane Golby, Art Gallery of Alberta (TREX Region 2)

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Women Gone Wild! features the work of three Edmonton artists who investigate the subject of wild animals/the natural world in their art.

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Women Gone Wild! features the work of three Edmonton artists who investigate the subject of wild animals/the natural world in their art.

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Women Gone Wild! features the work of three Edmonton artists who investigate the subject of wild animals/the natural world in their art.

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MARY SHANNON WILL dot.dot.dot.

A dot is a point in space. A series of dots in a row draws a line. A line can signal an interruption or an end, but it can also extend infinitely in either direction from any point. A flat, two-dimensional surface that has the potential to extend indefinitely between points or lines is a plane. A point, a line, a plane, each is a basic building block of a visual composition. A set of parallel, intersecting lines on a plane is a grid. A grid is a system.

MARY SHANNON WILL dot.dot.dot. exhibits the artist’s use of the dot or pixel, the line, and the grid to make artworks that explore chance colour combinations and nonrepeating patterns within rule-based systems. The exhibition includes twenty-six colourful abstract paintings, drawings, digital prints, and mixed media works on paper produced by the artist between 1987 and 2017.

Together, they provide an intimate glimpse into the artist’s life and work; bright gems oscillating with concentrated energy drawn from her experience of the world.

Curated by Diana Sherlock

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MARY SHANNON WILL dot.dot.dot. exhibits the artist’s use of the dot or pixel, the line, and the grid to make art.

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MARY SHANNON WILL dot.dot.dot.
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MARY SHANNON WILL dot.dot.dot. exhibits the artist’s use of the dot or pixel, the line, and the grid to make art.

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MARY SHANNON WILL dot.dot.dot.
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MARY SHANNON WILL dot.dot.dot. exhibits the artist’s use of the dot or pixel, the line, and the grid to make art.

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Land Eater

Land Eater - A Travelling Exhibition of Artworks by Jude Griebel

September 7, 2023 - August 28, 2024

Jude Griebel’s solo exhibition Land Eater invites reflection on human interactions with land and our impact on natural ecologies. While the art conceptually explores consumption and degradation, each work invites whimsical and open-ended curiosity about how we define land and our relationship to it.

There is uncanny tension present in Griebel’s anthropomorphized landscapes and protesting-insect sculptures, which prompt important questions regarding who is truly holding the proverbial “talking stick” in our current conversations around climate change and consumerism. If the various organisms we share Earth with are bearing signs of resistance, what specifically is at the root of their dissent? If the land is speaking to us, what is it saying?

How do we respond in turn? Each of the artworks in Land Eater contemplates incredibly complicated and nuanced relationships that humans are currently navigating related to environmental stewardship.

The questions raised within these works allow viewers to speculate on possibilities and encourage curiosity about what the future may hold — not just for humans, but for all natural organisms and the living Earth.

Curated by Ashley Slemming

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Jude Griebel’s solo exhibition Land Eater invites reflection on human interactions with land and our impact on natural ecologies.

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Jude Griebel’s solo exhibition Land Eater invites reflection on human interactions with land and our impact on natural ecologies.

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Jude Griebel’s solo exhibition Land Eater invites reflection on human interactions with land and our impact on natural ecologies.

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