Conservation

Discovering lost cultural treasures

On September 29, 2022, we marked the 50th Anniversary of the AFA Art Collection. As part of the celebrations, we are sharing snippets from the history of the collection. 
Learn more about the celebrations

By Larissa Hauck, former Art Collections Officer, and Kristin Stoesz, Art Collections Registrar

How often do you imagine AFA staff will discover an unknown collection of Alberta art while out on assignment? Well, it’s happened at least once!

The AFA's Art Placement Program began in 1976 as a way to ensure Albertans have the opportunity to enjoy the collection and enhance public spaces in government offices and buildings, and nonprofit organizations. The AFA currently has more than 100 Art Placement Program loans throughout Alberta.

The discovery

In July 2015, AFA Art Placement staff travelled to the downtown Edmonton office of the Government of Alberta's former Public Affairs Bureau to remove all of the artwork on loan in preparation for their move to the Edmonton Federal Building (now officially known as the Queen Elizabeth II Building).

As staff removed artwork from the walls and wrapped the works to prepare for shipping, they discovered a unique collection of 25 artworks that were not part of the AFA Art Collection, nor any of Alberta's other 14 provincial art collections.

Carole Bondaroff, Rosebud, 1985, etching on paper

It was almost too good to be true! With early artworks by prominent Albertan artists such as Dr. Joane Cardinal-Schubert and Carol Bondaroff, it seemed like a lost cultural treasure had been discovered. 

As AFA staff pondered over these new discoveries a few questions came to mind like:

  • where did this art come from?
  • why was it created?
  • how did it end up in the Public Affairs Bureau?

Each of the artworks had envelopes secured to the back that held a fragment of information about the artist and artwork. It was apparent that the research into this collection had only just begun...

The mystery unravels...

It turned out that these artworks were owned by the Public Affairs Bureau, which originally commissioned them for the Alberta Pavilion at the 1986 World Exposition on Transportation and Communication in Vancouver. Upon completion of the event, the artworks were relocated to Edmonton.

Expo 86 Scan

AFA staff suggested the possibility of a transfer of these artworks to the AFA Art Collection. The works were well-suited for both art placement and exhibition programming, and they reflected the history of the Government of Alberta’s involvement in Expo 1986.

Both parties agreed that the artworks would benefit from being transferred to the AFA as it would:

  • increase public access to the works 
  • promote Alberta artists
  • ensure proper care through the AFA’s maintenance and conservation programs.

The transfer was completed in March 2016. The artworks are a valuable addition to the AFA collection as they address gaps in representation of artwork from sections of the Alberta visual arts community.

The artists

In addition to Cardinal-Schubert and Bondaroff, the 25 artworks included work by Albertan artists Ken Christopher, Amy Loewan, Helen Mackie, Irene McCaugherty, Stan Phelps and Jim Stokes.

Dr. Joane Cardinal-Schubert

Among the artworks, AFA staff discovered six oil pastel on paper drawings by Dr. Joane Cardinal-Schubert.

Cardinal-Schubert was a highly regarded member of the visual arts community, not only as an artist working in variety of visual mediums, but also as a poet, lecturer, activist, and advocate for First Nations People. In 1994, she was awarded the Commemorative Medal of Canada for contribution to the Arts in Canada. In 2003, Cardinal-Schubert was granted an Honorary Degree, Doctor of Law, from the University of Calgary.

The six artworks were completed from 1980-1985, and are strong examples of the artist’s work from this period.

Dr. Joane Cardinal-Schubert, This is the Earth, 1985, oil pastel on paper

Helen Mackie

Also discovered were five works by Helen Mackie, who who was active in Alberta’s visual arts community for several decades.

Mackie was a member of the Calgary Allied Arts Foundation, the Secretary and Treasurer of the Alberta Society of Artists, and the Alberta Printmaker’s Society. Her work resides in local, national, and international collections, including the Glenbow Museum and Nickle Galleries in Calgary, MacEwan University in Edmonton, the Canada Council Art Bank in Ottawa, and the Windsor Castle Library in England.

Mackie’s artworks continue to be popular in the AFA's Art Placement and TREX programs. Cows Near Night was included in the 2016 TREX Region 2 (programmed by the Art Gallery of Alberta) exhibition entitled Cattle Call. The below etching and woodblock print on paper is a strong example of Mackie’s work that highlights Alberta’s prairie landscapes and cattle culture.

Helen Mackie, Cows Near Night, n.d., etching and woodblock on paper

The AFA Art Collection continues to grow through acquisition methods including the Art Acquisition by Application Program, Curatorial Acquisition Program and through generous donations by individuals and organizations.

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AFA Art Collection 50th Anniversary look back: that one time in 2015 when we were treasure hunters!

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Discovering lost cultural treasures
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AFA Art Collection 50th Anniversary look back: that one time in 2015 when we were treasure hunters!

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AFA Art Collection 50th Anniversary look back: that one time in 2015 when we were treasure hunters!

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Watch now: Caring for the Collection - Celebrating 50 years of the AFA Art Collection

See how the AFA cares for an exquisite new acquisition by Métis Cree visual artist, Sharon Rose Kootenay, and the different steps we take to document, catalogue and preserve her work for the benefit of all Albertans.

The artworks in the AFA Art Collection mean so much to the artists, to the staff that work with them, and to the many, many Albertans who have an opportunity to view them through exhibitions, art placement programs, or even online in our Virtual Museum.

Watch:

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50th Anniversary of the AFA Art Collection

Established in 1972, the AFA Art Collection is a unique representation of the history, development and achievements of Alberta's visual arts community. Today, the AFA is proud to manage one of the strongest, most active provincial art collections in Canada.

On September 29, 2022, the AFA began celebration for the 50th Anniversary of the establishment of the AFA Art Collection. Learn more about how we are celebrating throughout 2022 and 2023.

We are proud to diligently care and work with each of our more than 9,000 artworks in Alberta's public art collection. This is the second episode of a five-part series about the AFA Art Collection.

Videos produced by Hidden Story Productions.

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Watch how the AFA cares for an exquisite new acquisition by Métis Cree visual artist, Sharon Rose Kootenay, in the 2nd video in its documentary series

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Watch how the AFA cares for an exquisite new acquisition by Métis Cree visual artist, Sharon Rose Kootenay, in the 2nd video in its documentary series

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Watch how the AFA cares for an exquisite new acquisition by Métis Cree visual artist, Sharon Rose Kootenay, in the 2nd video in its series

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Go Behind the Scenes with the AFA's Art Collections Manager!

Before any AFA artwork is sent out for an exhibition or loan, it is thoroughly assessed to make sure it is in good condition—and that includes ensuring the artwork is clean.

So what does it take to get an artwork in show-worthy shape? A little elbow grease, distilled water and a vacuum!

Art Collections Manager Erin McDonald shows us how to go about cleaning an artwork—in this case, it’s Arlene Stamp’s Nova, which is going to the Glenbow for an upcoming exhibition. Nova is comprised of vinyl tile (the kind you’d find on kitchen floors), and the medium determines what cleaning technique will be best.

                   

First, Erin removes any surface dust using a hand-held, manual air blower to lift the dust from the surface, followed by a light vacuuming.

                   

The next step is to apply a cleaning agent. The least invasive cleaning agent is always the first choice; in this case, it's starting with distilled water. Very carefully, Erin applies the cleaner to the surface of the artwork and wipes it using a fine, microfiber cloth.   

Erin will not use a spray bottle to apply the water, as she doesn’t want to oversaturate the artwork and have water seep into the wood support of the artwork.

Erin will repeat this process, square by square, until finished—which will take approximately eight hours.

See more of Arlene Stamp’s artwork in the AFA collection.

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What does it take to get an artwork in show-worthy shape? Find out!

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Exposure 2023 International Open Call

Exposure welcomes diverse and innovative submissions from photographers and visual artists around the world who incorporate, celebrate or challenge the photographic medium within their practice.

We are delighted to announce that the Exposure 2023 International open call juror is Michèle Pearson Clarke. Michèle is an artist, writer, and educator who works in photography, film, video, and installation. Born in Trinidad and based in Toronto, her work is exhibited internationally. Michèle served as the photo laureate for the City of Toronto (2019-2022).

Those who have been selected by the juror will: 

  • Exhibit their work in the Exposure 2023 Emerging Photographers Showcase exhibition.
  • Be invited to become involved with the exhibition’s related programming.
  • Be invited to show selected work in a public exhibition presented on Pattison Outdoor digital billboards located in the City of Calgary.
  • Have their name and website link featured on the Exposure website as an artist profile, reaching audiences worldwide.
  • Have the opportunity to win one of the awards presented by Exposure, GRAIN Projects, Shutter Hub, The Magenta Foundation and TREX Southwest.
  • Receive $161 artist fee (in line with CARFAC recommended Fee Schedule)
  • Receive $150 production expense allocation with Exposure 2023 print partner, ABL Imaging Group, to cover/support costs of printing work for the exhibition.
  • Have their work promoted in the Exposure 2023 official press release pack. 

All those who submit their work will:

  • Have the opportunity to be featured on the Exposure Photography Festival curated Instagram account reaching audiences worldwide! Exposure will be sharing examples of strong submissions throughout the duration of the open call. To enhance your chance of being featured on our platform, please make sure you submit your work early.
  • Gain visibility with the juror and Exposure team. 

Submission Fee: $35 CAD for 10 images
Deadline: September 1, 2022 at 6 pm MST
For more information visit exposurephotofestival.com/eps2023.

We encourage submissions from members of underrepresented groups, and we welcome submissions from gender and sexually diverse individuals, racialized persons/persons of colour, women, Indigenous/Aboriginal People of North America, persons with disabilities.

Exposure is committed to supporting individuals who face barriers in applying for its opportunities. If you require assistance, please email Exposure Coordinator Beth Kane – beth@exposurephotofest.com.

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Opportunity to present your work in a group exhibition at Contemporary Calgary and on digital billboards throughout the city of Calgary!

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Opportunity to present your work in a group exhibition at Contemporary Calgary and on digital billboards throughout the city of Calgary!

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