Theatre

Bookings and Operations Manager

Grindstone Theatre is hiring a full time Bookings and Operations Manager.

To apply please email bmartin@grindstonetheatre.ca with YOUR NAME - Bookings and Operations Manager Application in the subject line with a cover letter and CV. We look forward to hearing from you!'

Deadline to apply is July 19th.

Full details

Bookings and Operations Manager

About Us:

Grindstone Theatre Society is a non-profit organization dedicated to advancing arts and culture. Founded in 2011 Grindstone Theatre has become a cornerstone of the Improv, Theatre, Comedy and Music scene in Edmonton. With multiple performance venues including the Grindstone Comedy Theatre, The Orange Hub Theatres, and our Fringe "Bring Your Own Venues," we offer a diverse range of venues and programming to engage audiences and support local and national artists, arts producers and community groups.

Mission:

Grindstone Theatre Society is committed to creating professional opportunities for local emerging performing artists. We believe that Edmonton has an overflow of talent that deserves to be nurtured and showcased. We serve to advance a diverse community of arts and culture through theatre, comedy, music and art.

Job Description:

We are seeking a dynamic and experienced Bookings and Operations Manager to oversee all bookings and operational aspects of Grindstone Theatre's venues. Reporting to the Artistic and Executive Director, the Bookings and Operations Manager will be responsible for managing venue rentals, coordinating event logistics, and ensuring the smooth operation of our theatres. This role will also oversee budgeting, venue sponsorship, reporting, booking contracts, marketing, and ticketing, as well as hiring and managing staff.

Responsibilities:

1. Booking Management:

  • Serve as the primary point of contact for all venue rental inquiries, negotiating rental agreements, preparing contracts, and overseeing the booking process from start to finish.
  • Maintain an up-to-date booking calendar for all Grindstone Theatre venues, ensuring efficient use of space and resources. Share the calendars with the necessary stakeholders.
  • Develop and maintain relationships with clients, event organizers, and artists to encourage repeat bookings and foster positive partnerships.

2.A. Comedy Theatre Venue Operations:

  • Oversee operational aspects of Comedy Theatre venue, including scheduling staff (TD/Head Technician and Box Office/FOH staff). Work with the General Manager who will coordinate Bistro staff and handle facility repairs and maintenance.
  • Develop and implement operational policies and procedures to streamline venue operations and improve efficiency.

2.B. Orange Hub Venues

  • Work with the AD to develop the Orange Hub Business Plan, Policies and Procedures.
  • Review the management contract with the City of Edmonton for the Orange Hub Theatres. Ensure compliance and report to the City of Edmonton as required for the Orange Hub Theatres management contract.
  • Conduct interviews with the AD and hire related staff for the Orange Hub Venues
  • Work closely with the Technical Director and Front of House Services Manager to coordinate technical requirements, staffing needs, and venue setup for events.

2.C. Fringe BYOV Venues

  • Produce and manage the Grindstone Fringe Festival BYOV’s
  • Use the same processes of soliciting applications from renters
  • Manage venue rental contracts with external venues (ex. Luther Center, Mile Zero Dance, etc)
  • Create a google form to collect applicant information once dates are announced for the festival
  • Ensure the application is marketed across Grindstone channels and Theatre networks
  • Update the website with Fringe BYOV deadlines and relevant venue information
  • Select shows for each venue and send offers, contracts and invoices. Have the shows approved by the AD.
  • Liaise with Fringe proper on the amount of venues running and shows accepted
  • Create show schedules for each venue. Ensure the schedule works with the Artists and submit the final show schedule to Fringe Proper, then upload all show times into Eventotron
  • Schedule Technicians and FOH managers for the duration of the festival
  • Instruct FOH managers to work with Volunteers for ticket scanning and line management
  • Work with the Festival TD to collect all technical needs from BYOV Producers
  • Work with the Festival TD to ensure all venues are properly outfitted with lighting/sound equipment, chairs, signage etc.
  • Work with the Festival TD to ensure all City of Edmonton checklist requirements needed for Road closure are completed, monitor the BYOV build budget and reconcile expenses with the TD, approve the set up/strike schedule proposed by the TD
  • Hire any additional FOH staff or Volunteer Coordinator to ensure FOH Volunteers are scheduled for each Fringe show to scan tickets
  • Manage venue sponsorship for the Festival
  • Work with graphic designers to create site signage (show schedule boards) and directional signage

3. Financial Management:

  • Develop and manage venue budgets, tracking revenue and expenses, and preparing financial reports for management and stakeholders.
  • Monitor ticket sales, rental revenue, and other sources of income, identifying opportunities to maximize revenue and minimize expenses.
  • Coordinate with the AD, General Manager and Bookkeeper to ensure compliance with financial policies and procedures.

4. Marketing:

  • Collaborate with marketing staff to develop marketing strategies and promotional campaigns to increase venue visibility, increase bookings and promote what is happening at each theatre venue from a venue perspective.
  • Maintain current information online regarding the venue throughout the Grindstone Website and associated channels
  • Coordinate with the City for any signage needs

5. Ticketing and Box Office:

  • Oversee ticketing operations, including coordinating ticketing information with renters, putting tickets up for sale through Showpass and the Grindstone website, managing ticket inventory, and coordinating with box office staff to ensure smooth ticket sales and distribution.
  • Prepare ticket settlement reports and provide to producers/renters
  • Coordinate the same ticketing process for internally produced Grindstone productions.

6. Staff Management:

  • Hire, train, and supervise the Technical Director and Front of House Services Manager and grow the staffing team as necessary providing leadership, guidance, and support to ensure the successful operation of the theatre venues.
  • Conduct performance evaluations, provide ongoing feedback, and address any performance issues or concerns in a timely and constructive manner.

Qualifications:

  • Bachelor's degree in Arts Administration, Business Management, or related field (preferred).
  • Minimum of 5 years of experience in venue management, event planning, or related field, with a demonstrated track record of success in managing theatre operations and bookings.
  • Strong leadership and management skills, with the ability to effectively lead and motivate a team of staff and volunteers.
  • Excellent communication and interpersonal skills, with the ability to build positive relationships with clients, colleagues, and stakeholders.
  • Proficiency in budgeting, financial management, and reporting, with the ability to analyze financial data and make data-driven decisions.
  • Knowledge of marketing principles and strategies, with experience developing and implementing marketing campaigns to promote events and drive ticket sales.
  • Familiarity with ticketing systems, event management software, and other tools used in theatre operations (preferred).
  • Commitment to the mission and values of Grindstone Theatre Society and a passion for supporting the arts and cultural community.

Position Details:

  • 40 hours/week
  • Job start date: July 29 2024
  • $43,000 - $52,000 / year depending on qualifications and experience
  • benefits available after 6 months

How to Apply:

Please submit your resume and cover letter outlining your relevant experience and qualifications to bmartin@grindstonetheatre.ca with the subject line "Bookings and Operations Manager Application - [Your Name]". In your cover letter, please include why you are interested in joining Grindstone Theatre Society and how your experience aligns with the responsibilities of the role.

Grindstone Theatre Society is an equal opportunity employer and welcomes applications from individuals of all backgrounds and experiences. We thank all applicants for their interest, but only those selected for an interview will be contacted.

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This class is for both beginners and current students who have already begun their improv journey!

Learn the basic fundamentals to creating a successful and hilarious improv scene, as well as tips and tricks to unleash your inner comedian! 

We will perform improv warm-ups, drills, short-form games and longer scenes. This workshop is a very engaging and positive experience, introducing you to the world of improv through the instructors eyes.

Get ready to laugh and have a ton of fun!

Location: Grindstone Studio (9562 82 Ave NW) | Date: Sunday July 7, 2024 | Time: 12 - 2 pm | Price: $75

Register here today: www.grindstonetheatre.ca/service-page/improv-fundamentals-workshop

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This work was developed for the arts sector exclusively and is designed to provide specific, relevant, and reliable facts to support the leaders in the arts sector as they seek to understand their audiences and grow attendance.

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Second set of results of a long-term study on understanding Alberta arts audiences. Watch a presentation of the report.

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See the video of Iinisikimm, a nighttime lantern performance and homecoming for the buffalo of Banff National Park.

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Iinisikimm is an immersive puppet-lantern performance that celebrates the reintegration of buffalo into the natural ecosystem of Banff National Park. Learn more about Iinisikimm here.

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Iinisikimm - an AFA Commemorative Arts Project
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See the video of Iinisikimm, a nighttime lantern performance and homecoming for the buffalo of Banff National Park.

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Peter Balkwill and the Czapno Ensemble
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Peter Balkwill and the Czapno Ensemble
Iinisikimm
2017

Spotlight on Arts Audiences - Wave 1 Results

The AFA is supporting a two-year research project conducted by Stone-Olafson on current engagement of arts audiences in Alberta. We are pleased to share the first set of results ("Wave 1").

This work was developed for the arts sector exclusively and is designed to provide specific, relevant, and reliable facts to support the leaders in the arts sector as they seek to understand their audiences and grow attendance.

Key topic areas for Wave 1 include:

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  • exploring programming and communication preferences
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Results

Watch the team from Stone-Olafson report on the findings from the first wave of research in the Spotlight on Arts Audiences project

Download the reports:

About the project

The AFA has partnered with the Rozsa FoundationCalgary Arts DevelopmentCalgary FoundationEdmonton Arts Council, and Edmonton Community Foundation, to support the Spotlight on Arts Audiences research project. The work will survey arts-inclined audiences in Calgary, Edmonton, and across the province to provide data that is useful and timely for arts leaders and organizations three times per year over the next two years.

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First set of results of a long-term study on understanding Alberta arts audiences. Watch a presentation of the report.

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Spotlight on Arts Audiences - Wave 1 Results
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First set of results of a long-term study on understanding Alberta arts audiences.

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First set of results of a long-term study on understanding Alberta arts audiences.

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This week's Work of the Week is "After the Theatre" by Raymond Theriault in honour of World Theatre Day on March 27!

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This week's Work of the Week is After the Theatre by Raymond Theriault in honour of World Theatre Day, which is on March 27!
 

The depiction of theatregoers milling about after the show feels like a distant memory as the COVID-19 pandemic continues to shutter theatres around the world. Filing out of the venue after the show, discussing the best (or worst) parts of the performance, and deciding where to go for a post-show cocktail or bite to eat, the rituals that take place after the theatre contribute to the experience one has when they take in a live theatre show, an experience we know is surely missed. 
 

For this year's World Theatre Day, now a full year into the pandemic, the Professional Association of Canadian Theatres (PACT) asked Canadian theatre creators and audiences what they miss the most about live theatre. Watch the responses:

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This video was produced in partnership with l’Association des théâtres francophones du Canada (ATFC) and the Playwrights Guild of Canada (PGC).

About World Theatre Day

Created in 1961 by UNESCO, World Theatre Day is celebrated annually on March 27 by theatre communities around the globe. The impetus behind World Theatre Day is to honour and further the goal of UNESCO’s International Theatre Institute (ITI) to celebrate the power of theatre to serve as an indispensable bridge-builder for mutual international understanding and peace as well as to promote and protect cultural diversity and identity in communities throughout the world.

 

 

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Raymond Theriault
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AFTER THE THEATRE
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