Community News

Calgary's IntegralOrg has been added to the The National Network of Legal Clinics for the Arts map on its National Network website. This is the first Alberta-based organization to be included in the network.

IntegralOrg offers education and support to Alberta nonprofits and charities in governance, strategic planning, risk management, and legal compliance.

National Network of Legal Clinics for the Arts

The National Network of Legal Clinics for the Arts is a proposed system of connected regional legal hubs for artists and arts organizations that includes existing Canadian pro-bono legal clinics.

Current Clinics:

British Columbia + Yukon:

• Pacific Legal Education and Outreach Society | PLEO

Alberta

• IntegralOrg (for Nonprofits)

Manitoba:

• L. Kerry Vickar Business Law Clinic

Ontario

• Artists’ Legal Services Ottawa | ALSO
• Artists’ Legal Advice Services | ALAS
• Visual Artists’ Legal Clinic of Ontario | VALCO

Nova Scotia

• Legal Information Society of Nova Scotia (LISNS)

Join the AFA in recognizing its 30th Anniversary and the annual Month of the Artist by celebrating our local artists and arts organizations. Get to know Frederick Kroetsch, documentary filmmaker.  

Frederick is an Edmonton-based documentary filmmaker. Jump to his bio below. The World Premiere of his newest film, Blind Ambition: The Story of Wop May, will be on October 3, 2021, at the Edmonton International Film Festival. Check out screening info here.

We asked Frederick about his film, his practice, and about being an artist in Alberta...

Tell us about your documentary filmmaking practice.

For me, collaboration is key. Filming documentary content can be difficult and usually requires working with many other artists. There are directors, cinematographers, actors, animators, editors, foley artists…depending on the complexity and creativity it often means numerous people.

I also prefer to be diverse in the content I make. It ranges from commercial to abstract. There are numerous aspects to documentary, and I enjoy all of them.

What do you want people to know about documentary filmmaking as an art form?

Documentary IS an art form. It isn’t just reality TV, activism, and true crime retrospectives. Documentary has a long and celebrated history in Canada, with some proposing we make it our official art form.

Documentary is ubiquitous - our digital landscape is inundated with vlogs, Youtube, news organizations and Netflix. So much of that content falls into conventional tropes.

I’d like people to think about the way we tell our stories and seek out content that has style and originality. Next time you post a selfie video, record using lights, or do it under water.

Tell us about your recent project Blind Ambition: The Story of Wop May

Blind Ambition brings to life the story of what I think is Edmonton’s most inspiring pilot – Wilfred ‘Wop’ May.

This project started as a very small and conventional documentary with talking heads interspersed with archival photos. As we slowly received more funding support, the project became more ambitious.

Once we secured some AFA funding, we decided to recreate some of the historical moments that didn’t have any archival materials. Then we decided to shoot on actual 35mm film. Another grant came in and we decided to film with a 50-piece orchestra in Prague. We pieced it all together in small hops.

In the end it became a 20-minute short documentary with creative elements like cinematic dramatic recreations and comic book art.

What is it like to be an artist in Alberta?

Like all places, there are both positives and negatives to being a documentary filmmaker in Alberta.

On the positive side there is tremendous support from organizations like the AFA, Edmonton Arts Council, Edmonton Heritage Council and the Film and Video Arts Society of Alberta (FAVA) to keep me telling stories. The film community is passionate and always ready to lend a hand.

It is also less expensive to live here and rent facilities than other major cities. Alberta also seems to have an entrepreneurial/risk-taking spirit that often lets me push the barrier a little further.

On the negative side, I’m required to travel long distances to attend industry events and meet with broadcasters.

^{Behind the scenes filming Blind Ambition: The Story of Wop May}

It’s been a difficult year for artists. What’s has your experience been like trying to work during the pandemic?

I went from shooting a food travel series across Canada with my wife, to sitting in my basement in front of a computer. Although financially challenging, it provided me an opportunity to look inwards and start developing new projects.

Due to timing issues, we had no options but to film Blind Ambition during the pandemic. It was challenging to work with a relatively large crew and maintain proper COVID protocols – but we managed to pull it off with no one getting sick. 

What’s the most important thing Albertans can do to support local artists in Alberta?

Find out if your elected officials care about supporting artists. Go to local art shows. Hang out at local film festivals. We make cool things here – we should be proud of that.

And please come to the Edmonton International Film Festival to check out amazing Albertan films!

Frederick Kroetsch bio

Frederick has numerous credits under his belt! Here are a few highlights...

He made Last of the Fur Traders for AMI-tv, which follows the journey of his father returning to the arctic.

He also created the TV-series Queen of the Oil Patch for APTN. Frederick has made dozens of documentaries for organizations such as TELUS Originals, CBC Digital, Telefilm, Bravo, NFB, CTV and Shaw.

He recently produced the feature documentary The Secret Society and is currently directing the TV-series Dr. Savanna: Wild Rose Vet for Cottage Life.

Frederick graduated with a film production degree from Concordia University; was awarded a Top 40 Under 40 Award in his home city of Edmonton; and won a Hot Docs Short Film Pitch. He is an alumnus of The Werner Herzog Rogue Film School, The NSI Business for Producers Program, Whistler Doc Lab, and the TELUS Fellowship Program. 

Frederick is EP and DOP on Wochiigii lo: End of the Peace, which premiered at TIFF 2021.

The film Form and Function from his arts collective “Are we artists or Cops?” is currently on display at the Artists in the Fallow Exhibit at Brighton Block. He is also very excited about receiving his first Canada Council grant for an experimental film tentatively titled Flesh Ballet

How will you take part in art and support artists? Share your experiences through social media by tagging the AFA and using the hashtag #TakePartInArt.

As the AFA celebrates its 30^th Anniversary and the annual Month of the Artist, we’re encouraging all Albertans to “take part in art.” A recent study by Hill Strategies Research Inc. provides insight on the positive health and mental health impacts of arts participation.

In February 2021, Hill Strategies Research Inc. released the report Canadians’ Arts Participation, Health, and Well-Being.

The report probes the relationships between 15 arts, culture, and heritage activities and four aspects of health and well-being:

• Overall health
• Mental health
• Satisfaction with life
• Satisfaction with feeling part of the community (i.e., sense of belonging)

The report shows important linkages between the arts and well-being, linkages that are particularly important within the current pandemic and eventual post-pandemic recovery.

Key Findings:

• There is a strong connection between cultural participation and health.
• There is solid evidence of a connection between cultural participation and mental health.
• There is a moderate connection between cultural participation and satisfaction with life.
• There is a limited connection between cultural participation and community belonging.

Strong Connection with Health

Arts and culture activities have a strong statistical connection with overall health. Attendees or participants in all 15 arts, culture, and heritage activities are more likely to report very good or excellent health than non-attendees or non-participants. For 14 of the 15 activities, the differences are statistically significant, including arts activities such as: active arts participation; live theatre or comedy attendance; classical and popular music attendance; cultural festival attendance; art gallery attendance; and book reading.

Solid Evidence of a Relationship with Mental Health

The analysis provides evidence of a connection between cultural activities and mental health. Attendees or participants in all 15 arts, culture, and heritage activities are more likely to report very good or excellent mental health than non-attendees or non-participants. For 12 of the 15 activities, the differences are statistically significant, including arts activities such as: live theatre or comedy attendance; classical and popular music attendance; cultural festival attendance; art gallery attendance; and book reading.

Moderate Connection with Overall Satisfaction with Life

Some of the evidence in the report shows a positive connection between cultural activities and satisfaction with life. However, the connection is not uniformly positive, depending on the measurement used for satisfaction with life.

The measurement with the strongest apparent connection with cultural participation is the satisfaction rating of 7 to 10. Attendees or participants in all 15 arts, culture, and heritage activities are more likely to rate their satisfaction with life as 7 to 10 than non-attendees or non-participants. For 13 of the 15 activities, the differences are statistically significant.

Limited Connection with Sense of Belonging

The report contains some positive evidence of a connection between cultural participation and Canadians’ sense of belonging to their communities, but the evidence differs depending on the measurement used for community belonging.

The measurement with the strongest apparent connection with cultural participation is the satisfaction rating of 7 to 10. Attendees or participants in 11 of the 15 arts, culture, and heritage activities are more likely to rate their satisfaction with feeling part of their community as 7 to 10 than non-attendees or non-participants. For four activities, the differences are statistically significant.

More information

Read the full report on Hill Strategies website.

The article "Financial impacts of the pandemic on the culture, arts, entertainment and recreation industries in 2020" was published on August 17 by Statistics Canada.

Description:

The COVID-19 pandemic abruptly disrupted many businesses that create and distribute arts and culture or offer recreational activities. This study looks at preliminary operating revenue estimates and labour-related expenses for the culture, arts, entertainment and recreation sectors in 2020.

Issue Number: 2021001

Author(s): Bernard, Marie-Christine; McMaster, Megan

The Lieutenant Governor of Alberta Arts Awards Foundation is proud to announce that artist Faye HeavyShield (Blood Reserve, Kainaiwa Nation, AB), writer and filmmaker Cheryl Foggo (Calgary, AB), and dance choreographer Vicki Adams Willis (Calgary, AB), have been selected to receive the 2021 Lieutenant Governor of Alberta Distinguished Artist Award.

Arlene Strom, chair of the Lieutenant Governor of Alberta Arts Awards Foundation said, “Albertans can be proud of these three whose contributions have pushed the boundaries of art to reflect Indigenous identity and expression; present a more inclusive and diverse view of Alberta’s history; and define the province as a beacon for jazz dance artists. Each has contributed immeasurably to the development of the province’s artists, arts communities and expanding art disciplines.”

Faye HeavyShield, Visual Arts

Over the past 30 years, Faye HeavyShield is one of Canada’s pre-eminent artists within Alberta and the Blackfoot Confederacy. Currently living on the Blood Reserve in southwestern Alberta, Faye studied at Alberta University for the Arts in Calgary. 

Honouring her Kainaiwa (Blood) Nation, the striking landscape they dwell within and the Blackfoot language which she speaks, Faye HeavyShield’s legacy of three-dimensional art and sculpture, including recent installations incorporating photography and delicately constructed paper figures, make her a senior figure in the artistic and cultural renaissance of Indigenous nations in the country. 

Cheryl Foggo, Playwright, screenwriter, film maker, author

Creating a more inclusive and diverse view of Alberta’s history through her plays, films, books, articles and multi-media presentations has been Cheryl Foggo’s life work. Profiled in Who’s Who in Black Canada and the recipient of the 2008 national Harry Jerome Award for The Arts, Foggo has applied her talent as a researcher and writer to uncovering the compelling but overlooked stories of Alberta’s Black settlers and cowboys. Most recently, the award winning National Film Board feature-length documentary, John Ware Reclaimed (2020), highlighted an earlier thriving Black community in the province often left out of the history books.

Her seminal, autobiographical book, Pourin’ Down Rain: A Black Woman Claims Her Place In The Canadian West was reprinted in 2020 to commemorate its 30th anniversary. In addition to her books, Cheryl Foggo has published prose in more than 40 journals and anthologies. Two new productions of Foggo‘s plays are scheduled in 2021 with the Citadel Theatre in Edmonton and the Urgency Collective in Calgary, and her short play The Sender is currently available through Toronto’s Obsidian Company’s 21 Black Futures Project. As a cultural activist, mentor and volunteer she advocates for writers and Black artists.

Vicki Adams Willis, Performing Arts: Dance  

Vicki Adams Willis has changed the face of jazz dance in Alberta and Canada. A co-founder nearly 40 years ago of Decidedly Jazz Danceworks (DJD), she is foremost a teacher and choreographer of more than 35 original productions. Jazz dance is a misunderstood art form. Born of African parents and of the Black American experience, Vicki Adams Willis acknowledges herself as a guest in this form and has demonstrated her deep understanding of, and utter respect for, the authentic roots and history of jazz through her research, teaching and choreography. She is recognized as a true leader in the world of jazz; an acclaimed ground-breaking choreographer who created one of the most unique jazz dance companies in the world, and the key person to ensure Calgary, Alberta as a viable dance centre for serious jazz artists. 

“These three ground-breaking women have offered important contributions to the arts in Canada. Their creativity has brought new light to their respective disciplines and created countless opportunities for us all to learn, grow and explore fresh ideas. Artists like this are essential to the vibrancy of our communities and we are truly fortunate to have them as cultural leaders in our province and country as a whole.” Her Honour, the Honourable Salma Lakhani, Lieutenant Governor of Alberta 

Ceremony

The awards patron, the Honourable Salma Lakhani Lieutenant Governor of Alberta, will present the awards at a celebration hosted by the Community of Lac La Biche and Portage College, Lac La Biche campus, at an awards event June 10 and 11, 2022. This celebration in 2022 will also include recognition of the 2022 Emerging Artists.

The 2021 Distinguished Artists were chosen from nominations received and reviewed by a jury of experts overseen by the Banff Centre for Arts and Creativity. Jurors for the 2021 Distinguished Artist Awards were Mary-Beth Laviolette, visual arts curator and author; John Estacio, 2017 Distinguished Artist and JUNO nominated composer;  Seika Boye, scholar, writer, artist and Assistant Professor, University of Toronto, Centre for Drama, Theatre & Performance Studies; Jordan Abel, Nisga’a writer from Vancouver and Assistant Professor in the Department of English and Film Studies at the University of Alberta teaching Indigenous Literatures and Creative Writing.

Image provided by the Citadel Theatre

Alberta’s government is investing in the Citadel Theatre so that Albertans of all ages will be able to continue to enjoy the performing arts in Edmonton.

Edmonton’s Citadel Theatre is a performing arts hub in downtown Edmonton and an important partner in Alberta’s vibrant arts and culture scene. It draws both local and international visitors and productions to Edmonton while also offering programs to teach and encourage the next generation of creative voices.

As part of the Budget 2023 Capital Plan, Alberta’s government would provide the Citadel Theatre with $4 million to help fund its renewal project. Supporting the theatre’s renewal project will ensure it remains in top condition to provide a high-quality performance space for Alberta’s talented performers and continues to be a destination for world-renowned productions for years to come.

“The Citadel Theatre is a hub for the performing arts in Alberta. Through development of cultural infrastructure like the Citadel, we are creating jobs, helping to diversify our economy and building vibrant communities for all Albertans to enjoy.”

Jason Luan, Minister of Culture 

“This funding is absolutely transformational for the Citadel Theatre! As one of the gems of downtown Edmonton, the funds will be put towards capital infrastructure costs. We are really delighted, as this building has long needed this level of support. Thank you to the Government of Alberta for recognizing the Citadel Theatre and for their support of arts and culture in Edmonton.”

Sarah Pocklington, executive director, Citadel Theatre

Edmonton’s Citadel Theatre provides nearly 170,000 square feet of community space, and the project will see upgrades throughout the building.

Quick facts

•  The Citadel Theatre is one of the largest theatres in Canada and home to the Foote Theatre School.
• The Citadel Theatre renewal project includes: 
  • replacing elevators, window glazing and skylights, flooring and mechanical systems
  • renovating washrooms and adding stairlifts to increase accessibility
  • renovating the flexible hospitality venue

Related information

• The Citadel Theatre - Edmonton Theatre, Musicals & Plays
   

Indigenous relation to the land in amiskwaciwâskahikan (Edmonton) is the subject of a new artwork, Sipikiskisiw (Remembers Far Back) by Michelle Sound, which was coordinated by the Edmonton Arts Council and is currently being installed this week at the Edmonton Transit Service (ETS) shelter located at 10020-100 Street NW.

The transit shelter was recently renewed as the City of Edmonton works toward creating more safe, inclusive, and attractive public spaces for transit riders and the public.

Commissioned in 2022 under the City of Edmonton’s new Public Art Policy, the Edmonton Arts Council worked with three local Indigenous artists/curators to select an artist for this project. Edmonton Arts Council's Public Art Director David Turnbull said, “the new policy allows us to be flexible, responsive, and use curatorially-driven approaches to intentionally grow and develop a public art collection that is high quality, accessible, relevant, and representative of Edmonton’s diverse communities.” 

“We are pleased to partner with Edmonton Arts Council and artist Michelle Sound to display this Indigenous art – which tells a meaningful story of those who were here before Edmonton was a city – in our transit space,” said Carrie Hotton-MacDonald, Branch Manager of Edmonton Transit Service. “Supporting talented artists and displaying their beautiful works of art helps to create more vibrant transit spaces for everyone to enjoy, and this work adds to the inventory of public art and murals in transit spaces.”

Like Sound’s artwork often does, Sipikiskisiw (Remembers Far Back) explores her Cree and Métis identity from a personal experience rooted in family, place and history.

Her artwork for the ETS shelter uses torn copies of archival images of an Indian Affairs Papaschase reserve survey map from 1899 and a photograph taken prior to 1907 of Indigenous men and tipis on the grounds of Fort Edmonton. The artist then mended the torn imagery using embroidery thread, caribou tufting, porcupine quills and beadwork.

The rips in the images are meant to “show the colonial violence that Indigenous people have experienced, including residential schools, intergenerational trauma, loss of language, and displacement from our territories,” explains the artist.

The mending of the images doesn’t fully obscure the rips, shares Sound, just as “the loss, grief, longing, and memory cannot be fully mended and the resiliency required to survive colonialism is also messy and fragile. These losses can never be fully healed but we can process our histories and realities through art, culture and stories.”

In an article about the artwork, Emily Riddle – one of the curators of the project – writes that the land on which the ETS shelter now sits was an important outlook for Indigenous Peoples prior to the construction of downtown Edmonton. Said Riddle, “When the jury met, Michelle Sound was at the top of each of our lists of artists whose work we wanted to see in Edmonton...in stitching together these two archival records with threads, beads, rick rack and tufts, Michelle Sound asks us to imagine a restitched present while we are in transit. On the hill above the site of both these photos, we are very much embedded in this history and in the forever now of a Nehiyaw present.”
 

Title image credit: Photography by Heather Saitz.

Vivek Shraya’s How to Fail as a Popstar heads to CBC 

The theatrical one-person show, created by Albertan artist Vivek Shraya, will feature as an original series on CBC’s free streaming service, Gem. How to Fail as a Popstar is a comedic coming-of-age tale based on the artist’s life.

Shraya will write and star in the show, which will be filmed in Toronto and set for release later this year.

From stage to paperback to screen

The play was originally commissioned and produced by Canadian Stage in Toronto. Shraya’s play debuted in 2020 with a print edition of the script released in 2021. The show has appeared on several Canadian stages with upcoming tour dates in Quebec in February 2023 and played internationally in Ireland and Germany.

Multi-disciplinary artist

Shraya’s many talents are showcased in literature, music, film, visual art, theatre and fashion. The Edmonton-born artist has music featured in the HBO Max show Sort Of and her book, I’m Afraid of Men, was profiled in Vanity Fair.

Representation in the AFA Art Collection 

The AFA acquired Shraya’s work Trauma Clown in 2020, adding to our ever-growing and increasingly diverse collection.

Vivek Shraya  
Trauma Clown, 2019 
Photograph on paper 
Collection of the Alberta Foundation for the Arts

IWD 2023: Canada’s population of artists led by women

On a day we celebrate the many amazing women in our communities, we focus on women in the arts.

What the numbers say

Most of the makers, entertainers, and creators in Canada, who spend more time practicing their art than any other occupation, are women.

A study of Canada’s 2021 census by Hill Strategies revealed that 54% of professional Canadian artists are women. While women make up 48% of the Canadian labour force, this statistic means that 1.1%, or one out of every 91 working women, is an artist.

The arts as a foundation for diversity

The arts can provide a platform for the talents, stories, and histories of the many unique individuals within our communities.

While we continue to work to improve representation in the arts, on International Women’s Day we remember and celebrate key figures in Alberta’s community, like:

• Joan Chapman, who was at the heart of the resurgence of studio and design potteries in Alberta
• Dr. Joane Cardinal-Schubert, who helped the AFA build new bridges with artists
• Vivek Shraya, whose talents span across multiple disciplines 
• Autumn Whiteway (“Night Singing Woman”), who focuses on elevating the voices of Indigenous creatives
• Dr. Jane Ash Poitras, who dedicated her life's work to the creation of art in spite of multiple barriers

For these and many, many more, we laud the artists that lead us with their dedication, who push our boundaries, and who show us life from an artist's point of view.

The AFA continues to support and celebrate the many women who help shape the arts community throughout Alberta and Canada, today and throughout the year.

About IWD

International Women’s Day (IWD) is celebrated annually on March 8 around the globe. IWD has been celebrated globally since 1911 and is an important day that highlights the social, economic, cultural, and political achievements of women.

In recognition of IWD we have highlighted a few events throughout the month of March that celebrate women in the arts.

Introducing Alberta’s Arts Ambassador 2023

April 12, 2023 Media inquiries

Métis Cree artist Sharon Rose Kootenay has been selected as the fourth Artist in Residence and Arts Ambassador to promote the value of the arts in Alberta.

Hailing from central Alberta, the Treaty 6 artist is a lifelong maker of traditional art forms and finds her inspiration in the Prairie landscapes. Using geometric and floral beadwork design, Kootenay’s art tells a story of cultural identity and place, and affirms Indigenous world views, environmental stewardship and solidarity among humans.

Through her residency, Kootenay will create a two-part beadwork and mixed medium project titled Kihohkewin/Gone Visiting and Pihtikwe/Come In! The first part will interpret the highlights of travel, visiting with friends and family, picking up the threads of conversation and exploring traditions and landscapes along the way. The second part will encompass the Métis Cree concept of “Home Fire.”

“The arts enrich our lives and our vibrant culture and economy. I am pleased to announce Sharon Rose Kootenay as Alberta’s Artist in Residence. Sharon will enrich Alberta’s art scene through her talent and wisdom, as well as bring joy and inspiration to other artists and patrons of the arts. I also want to extend a sincere thank you and appreciation to Aeris Osborne, 2022 Artist in Residence and Ambassador. During her residency, Aeris created 10 bold impressionist paintings of historical buildings in cities and villages from across Alberta.”

Jason Luan, Minister of Culture

“As an artist of Métis Cree and Ukrainian ancestry, I am honoured and humbled to have been selected as the 2023 Alberta Artist in Residence and Arts Ambassador. Our lives are enriched by creative practice, and craft is a medium that articulates memories, celebrates relationships, and contains stories, hopes and wishes. I look forward to meeting many Albertans and gaining a deeper appreciation and understanding of the diversity of our shared artistic practices and expression of cultural perspectives.”

Sharon Rose Kootenay, Alberta’s Artist in Residence/Arts Ambassador

Alberta is the only jurisdiction in Canada to offer a provincial artist in residence program. This program seeks to inspire innovation in and increase appreciation of the arts and artists in Alberta. The residency comes with a $25,000 grant for artist compensation and up to $25,000 for artist expenses. Kootenay’s term began April 1 and runs to March 31, 2024. She was selected from a short list of seven applicants.

The short-listed artists received $1,000 grants to begin their projects and/or advance their artistic practices and careers. Short-listed artists for this intake are:

• Lisa La Touche, dance, Calgary
• Janita Frantsi, dance, Edmonton
• Tia A Kushniruk, dance and theatre, Edmonton
• Shumaila Hemani, music (soundscape composition), Calgary
• Kelsey Merkeley, visual arts (fine craft), Calgary
• Tara Vahab, visual arts (sculpture), Calgary

Host the Artist in Residence

As an arts ambassador and a voice for artists across the province, Kootenay will connect with Alberta communities through her project and program activities. Communities can invite the Artist in Residence to speak about the arts in Alberta at local or cultural events. An online application is available on the Artist in Residence web page.  

Quick facts

• The maximum grant for the artist in residence program is $50,000, one of the largest individual artist grants available in Alberta.
• According to analysis by Hill Strategies of the 2021 census, there were 18,100 artists living in Alberta (nine per cent of all artists in the country).
• In 2020, the visual and applied arts and live performance industries contributed about $1.1 billion in gross domestic product and sustained nearly 15,000 jobs in Alberta.

Related information

• Alberta’s Artist in Residence
• Sharon Rose Kootenay
• Host Alberta's Artist in Residence

Media inquiries

Jason Kwong

587-785-9676
Acting Press Secretary, Ministry of Culture