Indigenous arts

Survey Results | The New Experience Economy - Wave 2

The Alberta Foundation for the Arts is pleased to be a funding partner in this collaboration with Stone-Olafson and other community leaders to develop a long-term research investigation and evaluate how current conditions will reshape Albertans’ attitudes and behaviours towards social and group activities, across a variety of sectors. The purpose of this work is to give leaders of community sports, recreation, arts and culture, professional sports, active living, heritage, tourism or hospitality sectors relevant facts about local audiences that they will need to bring life back to our communities.

The initiative is being funded by: 

This research is being conducted in six waves over the course of the next year. This is a community resource that is FREE to access and results from the second wave of research are now available. The second wave of research builds on the baseline established in May and June by delving into attitudes on comfort, spending, the impact of media, and audience expectations.

Findings and implications for Alberta organizations through Wave 2 results include:

  • Support for the pace of re-opening grows but there are still lingering pockets of disagreement.
  • Comfort levels are creating a new baseline of engagement.
  • Increasing gaps are appearing between audience segments on the pandemic.
  • As restrictions lift, Albertans are pulled by their social motivations and perceptions of safety outdoors.
  • Engagement is (potentially) perishable.
  • Staying connected will mean the development of innovative and hybrid experiences.
  • In a crowded media space, audiences are still listening.
  • Spending is obviously being impacted

The report makes the following recommendations for organizations:

  • Comfort levels are not rebounding just because restrictions are lifting. Organizations need to temper expectations about reconnecting with audiences. You will not be reengaging them in the same you used to. It will take time and it will look different. Plan on it and prepare.
  • Getting audiences comfortable enough to attend is vital. Some of this will rebound over time, and some will be addressed by government, but there are opportunities to build confidence in what you are doing to safeguard their health. Show the steps you are taking and the tools being employed to protect audiences. Building confidence with what you are doing will help increase comfort and, in turn, consideration.
  • Audiences and markets are changing. There are new barriers to address and consider. Organizations will need to understand shifting mindsets of different target audiences in order to engage effectively. This could be a deep opportunity to engage for many organizations who can capitalize on their motivations and expectations.
  • Find your voice. Audiences are listening closely for news around the pandemic and are eager for updates, information or promotions. They want to know when experiences will be available again and are receptive to traditional marketing messages again. In fact, they expect it.
  • Adapting means developing new product and experiences to consume. Staying put or offering what you used to won’t necessarily work. Organizations that can move into hybrid offers (not simply digital alone or in-person alone) that still leverage intrinsic motivations will be well positioned to protect their revenue from competition.

Download the reports:

You can subscribe to receive notifications when the new reports are available by visiting stone-olafson.com

Image
Sticky at top of newsfeed
No
Article teaser

Second wave of results of a long-term study to gauge Alberta audiences' attitudes towards returning to live arts and culture venues and events.

Expiry
Spotlight
Off

Survey Results | The New Experience Economy - Wave 4

This research is being conducted in six waves over the course of the next year. This is a community resource that is FREE to access and results from the fourth wave of research are now available. 

Findings for Alberta organizations from Wave 4 results include:

  • Public perceptions reflect the low point of the pandemic at this time.
  • Albertans are adapting to and following the rules.
  • Change in habits during the pandemic appears to be additive, not alternative
  • Contexts frame marketing in this environment - messages will need to be shifted, media strategies evaluated, and some types of voices changed.
  • Engagement is on hold.
  • Travel within the province is an option. 

What are the implications for Alberta organizations?

  • When conditions permit, recognize you will be reconnecting with a weary population who are more anxious than before. Messages and offers will need to adjust to reflect this reality.
  • As Albertans accept and get used to the restrictions, they expect others to follow them too. A large percentage of those surveyed indicate others not following protocols will dissuade them from attending events/participating in activities. The same applies for not seeing sufficient safeguards in place.
  • As restrictions start to lift, Albertans are likely to start figuring out how to balance a new set of activities they enjoy with their usual activities they want to get back to. And for organizations, that means breaking through a larger competitive set to capture the attention of their audiences. For those that offer registered or directed experiences this may be an even bigger challenge now that people are also adding in more self-directed experiences.
  • Organizations are likely going to need a multi-layered media strategy that can reach influencers who can help propel the message. To be clear, an influencer strategy doesn’t mean a pure social media strategy. It means a strategy of messages and media that are repeatable to others.
  • Organizations have to be prepared to re-engage in stages. When current restrictions lift there will be some appetite to explore and potential opportunities to meet them online or outdoors. In a post-pandemic environment, audiences are very likely to get active again.
  • Focusing on broad messages that reflect a drive to escape everyday stresses and deliver on social motivations will work well to help motivate intra-provincial travel. Reinforcing these main messages with reassurances about flexibility in booking and safety will also be helpful to finalize a decision.

Download the reports:

You can subscribe to receive notifications when the new reports are available by visiting stone-olafson.com

About the project

The Alberta Foundation for the Arts is pleased to be a funding partner in this collaboration with Stone-Olafson and other community leaders to develop a long-term research investigation and evaluate how current conditions will reshape Albertans’ attitudes and behaviours towards social and group activities, across a variety of sectors. The purpose of this work is to give leaders of community sports, recreation, arts and culture, professional sports, active living, heritage, tourism or hospitality sectors relevant facts about local audiences that they will need to bring life back to our communities.

The initiative is being funded by: 

Image
Sticky at top of newsfeed
No
Article teaser

Fourth wave of results of a long-term study to gauge Alberta audiences' attitudes towards returning to live arts and culture venues and events.

Expiry
Spotlight
Off

Call for Artists: 2024-2025 Shop at SAAG Feature Artists

Shop at SAAG artist call

The Shop at SAAG Feature Artist program offers local artists and artisans a unique opportunity to exhibit and sell their work in a contemporary art gallery. Past feature artists include Nicole Riedmueller, Arianna Richardson, Cindy Baker, Lauren Kurmey, Jessica Colley, and more. 

As the feature artist, you will have the opportunity to exhibit a selection of your work in a prominent display in the Shop at SAAG for 12 to 13 weeks. Gallery staff will help you develop a unique design for the shop space to showcase your work. You’ll receive a special consignment rate and have the opportunity to work with Gallery staff to develop a public program based on your art practice. You will also be offered a free table at our Summer or Holiday Market. We will highlight your work on the Shop at SAAG’s website and online shop and through the Gallery’s social media and e-newsletter. The feature artist will also be recognized at the exhibition opening reception that aligns with your show. 
We are currently accepting applications for our Shop at SAAG Feature Artist for the following 2024-25 exhibition blocks:

  • Oct. 12 2024 - Jan. 11 2025
  • Jan. 25 2025 - Apr. 19 2025
  • May 3 2025 - Jun. 21 2025

Eligibility

This call invites applications from artists from all backgrounds and in all stages of their career. Artists must be at least 18 to be considered and a resident of Alberta. We encourage you to consider submitting a body of work with a consistent theme or aesthetic. The Shop at SAAG aims to support the work of local artists, so artists from Lethbridge and the surrounding area will be prioritized.  

Key Dates

Call for Artists Opens: August 1, 2024
Submission Deadline: September 14, 2024 
Notifications sent by September 21, 2024

Fall 2024 Feature Artist: October 12, 2024 -January 11, 2025 
Installation: October 7-11, 2024
Take down: January 13-17, 2025

Winter 2025 Feature Artist: January 25, 2025 - April 19, 2025
Installation: January 20-24, 2025
Take down: April 21-25, 2025

Spring 2025 Feature Artist: May 3, 2025 - June 21 , 2025
Installation:  April 28 - May 2, 2025
Take down: June 22-27, 2025

Applications 

To apply, please complete the application form and provide up to 10 images of the work you wish to feature in the Shop at SAAG. Images can be emailed to kcashmore@saag.ca with the subject line “Feature Artist Call - [Name] Images”.

Applications are due no later than 5 p.m. on September 14, 2024. We thank all applicants for their interest. We will notify all applicants of the results by September 21, 2024 at the latest. If you have not heard back from us by that date, please check your spam folder. 

The Gallery is committed to continually working towards more equitable systems and practices. We welcome applications from candidates who identify as Indigenous, Black, racialized, LGBTQ2S+, d/Deaf and disabled, and from poor and working-class backgrounds. 

If you have any questions, feedback, or require support or accommodations to access this application process, please contact Keelan Cashmore, Visitor Services and Volunteer Coordinator, at 403.327.8770 x 21 or kcashmore@saag.ca.
 

Image
Sticky at top of newsfeed
No
Article teaser

The SAAG is currently accepting applications for our Shop at SAAG Feature Artist.

Facebook title
Call for Artists: 2024-2025 Shop at SAAG Feature Artists
Facebook description

The SAAG is currently accepting applications for our Shop at SAAG Feature Artist.

Twitter title
Call for Artists: 2024-2025 Shop at SAAG Feature
Twitter description

The SAAG is currently accepting applications for our Shop at SAAG Feature Artist.

Deadline
News type
Location
Artist opportunity type
Expiry

Spotlight on Arts Audiences - Wave 2 Results

The AFA is supporting a two-year research project conducted by Stone-Olafson on current engagement of arts audiences in Alberta. We are pleased to share the second set of results ("Wave 2").

This work was developed for the arts sector exclusively and is designed to provide specific, relevant, and reliable facts to support the leaders in the arts sector as they seek to understand their audiences and grow attendance.

Key topic areas for Wave 2 include:

  • Exploring arts audiences' engagement and general perceptions
  • Understanding audiences’ preferences for content, programming, and ticket purchasing
  • Understanding opportunities for increasing support and engagement through fund development

Results

Watch the team from Stone-Olafson report on the findings from the first wave of research in the Spotlight on Arts Audiences project

Download the reports:

About the project

The AFA has partnered with the Rozsa FoundationCalgary Arts DevelopmentCalgary FoundationEdmonton Arts Council, and Edmonton Community Foundation, to support the Spotlight on Arts Audiences research project. The work will survey arts-inclined audiences in Calgary, Edmonton, and across the province to provide data that is useful and timely for arts leaders and organizations three times per year over the next two years.

Image
Sticky at top of newsfeed
No
Article teaser

Second set of results of a long-term study on understanding Alberta arts audiences. Watch a presentation of the report.

Facebook title
Spotlight on Arts Audiences - Wave 2 Results
Facebook description

Second set of results of a long-term study on understanding Alberta arts audiences. Watch a presentation of the report.

Twitter title
Spotlight on Arts Audiences - Wave 2 Results
Twitter description

Second set of results of a long-term study on understanding Alberta arts audiences. Watch a presentation of the report.

Spotlight
Off

Watch: The Art of Hide Tanning - an AFA Commemorative Art Project

Sticky at top of newsfeed
No
Article teaser

See the video of The Art of Hide Tanning: commissioned Indigenous artworks featuring the traditional hide tanning process taught at Portage College.

Body

The Art of Hide Tanning - Tradition Inspiring the Present and Future is a series of commissions to link the past, present and future of Indigenous art.

This project features new works by Amy Malbeuf and Ruby Sweetman created through the traditional thirteen-step Woodland Cree hide tanning process taught at Portage College in Lac la Biche, Alberta. The completed works will be exhibited at the Museum of Aboriginal Peoples' Art and Artifacts at Portage College. Learn more about the hide tanning process on Portage College's website.

Ruby Sweetman is of mixed Cree ancestry and has been a professional artist and an instructor in the Native Arts and Culture Program for over 20 years.

Amy Malbeuf is an award winning Métis multidisciplinary visual artist from Rich Lake, Alberta who works in a variety of mediums such as caribou hair tufting, beadwork, installation, performance, and video.

  • Scroll through the slideshow above to see images of the artists and their works.

If you cannot make it up to Lac la Biche to see the exhibition in person, fear not; you can see a preview of the artworks and the hide tanning process in the video below. 

Portage College also made a video about this Commemorative Art Project. Watch it on their YouTube channel.

These works travelled to Edmonton and were exhibited at the Alberta Craft Discovery Gallery, from April 14 until May 26, 2018.

Check out other AFA Commemorative Art Projects.

Facebook title
Watch: The Art of Hide Tanning - an AFA Commemorative Arts Project
Facebook description

See the video of The Art of Hide Tanning: commissioned Indigenous artworks featuring the traditional hide tanning process taught at Portage College.

Twitter title
Watch: The Art of Hide Tanning - an AFA Commemorat
Twitter description

See the video of The Art of Hide Tanning: commissioned Indigenous artworks featuring the traditional hide tanning process taught at Portage College.

Select staff contact
Social Media Preview
Collections Database Image
Image
Artist
Ruby Sweetman
Title
Traditional hide tanning materials
Year
2017
Collections Images Slideshow
Ruby Sweetman
Traditional hide tanning materials
2017
Ruby Sweetman
Traditional Ladies Hand Bag
2017
home tanned smoked elk hide, porcupine quill, red melton trade cloth
Amy Malbeuf (Photo Credit: Jordan Bennett)
between yesterday and tomorrow
2017
Home tanned smoked moose hide, polyurethane tarp, caribou hair tufting, plastic beads, antique and new glass beads
Amy Malbeuf (Photo Credit: Jordan Bennett)
between yesterday and tomorrow (detail)
2017
Home tanned smoked moose hide, polyurethane tarp, caribou hair tufting, plastic beads, antique and new glass beads
Amy Malbeuf
Traditional Hide Flesher
2017
Moose bone and hide
Ruby Sweetman
Traditional Hide Tanning Tools
2017
Moose bone, deer bone, birch wood sapling, metal

Watch: Iinisikimm - an AFA Commemorative Arts Project

Sticky at top of newsfeed
No
Article teaser

See the video of Iinisikimm, a nighttime lantern performance and homecoming for the buffalo of Banff National Park.

Body

Iinisikimm is an immersive puppet-lantern performance that celebrates the reintegration of buffalo into the natural ecosystem of Banff National Park. Learn more about Iinisikimm here.

This past August, audiences in Banff and Calgary experienced outdoor performances featuring hand-made lantern puppets, drumming from Eya-Hey Nakoda, and performances by the Czapno Theatre Ensemble. The puppets shared the story of the buffalo, told by Blackfoot trickster God Napi.

The Iinisikimm group will also be producing a comic book, estimated to be released later in 2018.

If you missed the performances, fear not; you can experience a taste of Iinisikimm through the video below. 

Iinisikimm was created with support from the Alberta Foundation for the Arts Commemorative Art Projects funding. Stay tuned to our news feed for more videos from the other Commemorative Art Projects.

Facebook title
Iinisikimm - an AFA Commemorative Arts Project
Facebook description

See the video of Iinisikimm, a nighttime lantern performance and homecoming for the buffalo of Banff National Park.

Twitter title
Iinisikimm
Twitter description

See the video of Iinisikimm, a nighttime lantern performance and homecoming for the buffalo of Banff National Park.

Select staff contact
News type
Art discipline
Location
Social Media Preview
Collections Database Image
Image
Artist
Peter Balkwill and the Czapno Ensemble
Title
Iinisikimm
Year
2017
Collections Images Slideshow
Peter Balkwill and the Czapno Ensemble
Iinisikimm
2017

Women's History Month: Celebrating the diversity of women through the arts

Sticky at top of newsfeed
No
Article teaser

Celebrate women's history month by visiting local exhibitions curated by women and featuring artwork from the AFA Art Collection.

Body

click the arrow icons ( < or > ) above to scroll through images
 

Women's History Month
 

October is Women's History Month: a time to celebrate the achievements of the women and girls from our past and present. We encourage Albertans to celebrate women in the arts by engaging with local organizations and artists.

To celebrate this month, we are pleased to highlight three current Alberta-based exhibitions curated by women, and featuring a few artworks from the AFA's very own collection. 

Red Deer Museum + Art Gallery - Shirley Rimer: A Chronicle in Clay 
Curated by Mary-Beth Laviolette
On now until December 2, 2023

Installation view of Shirley Rimer: A Chronicle in Clay.
Images provided by Red Deer Museum + Art Gallery.

About the exhibition

A longtime Red Deer resident, Rimer is one reason why the city shines as a centre for ceramic art. A Red Deer College (Polytechnic) graduate, as an instructor, curator and cultural community builder, Rimer’s own artistic accomplishments are the highlight of this special exhibition of ceramic sculpture.

Featuring over 30 artworks made in the past 40 years, a chronicle about their making and Rimer’s personal discovery of clay traditions in other countries: Greece, Turkey, Mexico, India, France, Italy, China and America. They are about handbuilding in clay, reinterpreting the vessel, communicating with colour and reflecting on subjects like family, culture and heritage here in Alberta and abroad.

This exhibition features four Shirley Rimer artworks from the AFA Art Collection:

  • Body Language
  • Village Life
  • Red Fish
  • Purple Flowers

Calgary - Nickle Galleries - The Art of Faye HeavyShield
Curated by Felicia Gay
On now until December 9, 2023


Photo credit: Andy Nichols, LCR PhotoServices., courtesy of the MacKenzie Art Gallery.

Red Dress, 2008, nylon, cotton, metal and paper tags, glass beads.
Collection of the Alberta Foundation for the Arts
The Art of Faye HeavyShield, organized and circulated by the MacKenzie Art Gallery.
Financed by the Government of Canada. Curated by Felicia Gay.

About the exhibition

The Art of Faye HeavyShield will present work that spans forty years of her practice. The exhibition situates HeavyShield as a major contributor to contemporary Indigenous art through her creation of a new aesthetic vocabulary. While bearing a resemblance to conceptual installation, her work is rooted in the deep art history of the Canadian prairies and in personal/communal experience.

This exhibition features Faye HeavyShield's artwork Red Dress, which is from the AFA Art Collection. 

Edmonton - Art Gallery of AlbertaSecond Skin 
Curated by Lindsey Sharman and Danielle Siemens
On now until December 31, 2023 


Photography by Charles Cousins, courtesy of the Art Gallery of Alberta

Left: Caitlin Thompson, Rhizome (Hot Gossip), 2017, Fabric, thread, fake nails, decoy eyes, rhinestones, tassels, cording, buttons, plastic, paint, Velcro. Collection of Alberta Foundation for the Arts. Installation view of Second Skin, Art Gallery of Alberta, 2023.
Right: Pamela Norrish, Outfit for the Afterlife, 2015. Glass beads, nylon thread. Collection of the Alberta Foundation for the Arts. Installation view of Second Skin, Art Gallery of Alberta, 2023

About the exhibition

The works in this exhibition trace the boundaries of the body and reference garments and adornment in many forms. These literal and symbolic objects of attire allow their ‘wearer’ to explore a myriad of issues including identity and representation, objectification and empowerment, mythology and history, imagined futures and the afterlife. 

This exhibition features two artworks from the AFA Art Collection: 

  • Outfit for the Afterlife - Pamela Noorish
  • Rhizome (Hot Gossip) - Caitlin Thompson

 

Facebook title
Women's History Month: Celebrating the diversity of women through the arts
Facebook description

Celebrate women's history month by visiting local exhibitions curated by women and featuring artwork from the AFA Art Collection

Twitter title
Women's History Month: Celebrating women
Twitter description

Celebrate women's history month by visiting local exhibitions curated by women and featuring artwork from the AFA Art Collection

Collections Database Image
Image
Artist
Pamela Noorish
Title
Outfit for the Afterlife
Year
2015
Medium
Glass beads, nylon thread
Collections Images Slideshow
Shirley Rimer
BODY LANGUAGE
1991
earthenware
Shirley Rimer
Village Life
2007
porcelain
Pamela Noorish
OUTFIT FOR THE AFTERLIFE
2010-2015
glass beads and nylon thread
Faye HeavyShield
Red Dress
2008
nylon, cotton, metal and paper tags, glass beads
Shirley Rimer
Red Fish
2007
porcelain
Shirley Rimer
Purple Flowers
2007
porcelain

Truth and Reconciliation Day 2023

Sticky at top of newsfeed
No
Article teaser

A message of acknowledgement of Truth and Reconciliation Day from the Alberta Foundation for the Arts board of directors.

Body
Click on the arrows above to scroll through images. 
 

Featured artwork:
GRANDE ENTRY
By Jessica Desmoulin – 2019 – felted wool, beads and leather
Collection of the Alberta Foundation for the Arts
 

A message from Paul R. Baay on behalf of the Alberta Foundation for the Arts (AFA)

On this third National Day for Truth and Reconciliation (also known as “Orange Shirt” Day), on September 30, 2023, I will take some time to reflect on how the AFA can support and advance the Truth and Reconciliation Commission of Canada's Calls to Action, published in 2015. 

At the AFA, our mandate is to support, encourage and promote artistic activity for all residents of Alberta, which includes lands that are parts of Treaty 4, Treaty 6, Treaty 7, Treaty 8 and Treaty 10, as well as eight Métis Settlements. We primarily work in the area of contemporary artistic activity which, as the legacy of colonization and Canada's residential system continues to be brought to the fore, will be more and more reflected, examined, and resonated by artists of all backgrounds and disciplines in contemporary practice.

Our job is to continue to encourage and help increase participation and arts education by Indigenous artists. Our job is to continue to celebrate the unique artistic and cultural expressions of the mosaic of Indigenous peoples that reside in Alberta. And, our job is to continue to promote the exchange of ideas and artistic collaborations between Indigenous and non-Indigenous artists and arts workers to help build mutual respect and understanding in our arts community. 

That's why our board decided to nurture and promote Equity, Diversity, Inclusion, and Accessibility through arts-related programming by Indigenous, visible minorities, or deaf and disability artists to engage audiences in and through the arts through the 2023 cycle of our Organization Activation Projects grant program. While the AFA will provide up to $20,000 for projects by a single organization, we will increase that maximum amount to up to $50,000 for partnership projects. 

We at the AFA encourage all Albertans to be more informed about the history and legacy of residential schools, and to explore the rich culture and artistic expression of Indigenous peoples of Turtle Island.

About the featured artwork:
Grande Entry by Jessica Desmoulin

This artwork was acquired through the AFA's Art Acquisition by Application program in 2020. This program is designed to acquire contemporary works of art by any eligible Alberta artist through a competitive application program. 

  • This artwork, as well as Autumn Sky, were both part of 38 artworks purchased through this program in 2020. 

At the AFA, we actively support Indigenous Arts as a unique, distinct arts discipline. We also collect artworks by Indigenous artists through the AFA Art Collection to preserve, exhibit and promote. I continue encourage everyone reading this message to visit the AFA Virtual Museum and view the Indigenous collection as part of your learning and reflection on Truth and Reconciliation Day.

About the Artist

Jessica Desmoulin is Ojibway of the Pic River First Nation. As a child, she lived in Rochester, AB and later in Sparwood, BC. She currently lives with her family in Edmonton, AB.

After the birth of her second child, Desmoulin developed an illness that left her unable to work outside the home. She took this opportunity to approach her art seriously and began to paint canvasses and occasionally buffalo skulls in the new Woodland style. Her works, which connect her to her ancestral memories, explore the essential role colour plays in creating a design and reflect nature and the patterns in its creations, such as the rings of a tree, the waves in the ocean, the cracks in the earth and the petals on a flower.

Animals often appear in her paintings, both as symbols and reflections of her family and loved ones and as the totems she approaches for spiritual guidance. Her use of copper, silver, gold, and bronze reminds viewers of the precious materials in our environment and that we need to cherish our world.

Desmoulin has participated in several regional exhibitions, including "Patterns in Nature", "Animal Speak", and "Nurturing the Spirit" at Edmonton’s Bearclaw Gallery (2013, 2014, 2016). Her artwork has been featured on the covers of Alberta Native News (November 2014, September 2016), used as the logo for the Spirit Runner app, which promotes positive lifestyles for aboriginal youth and is held in the collection of the AFA.

See all of Jessica Desmoulin's artworks currently included in the AFA Art Collection.

Facebook title
Truth and Reconciliation Day 2023
Facebook description

A message of acknowledgement of Truth and Reconciliation Day from the Alberta Foundation for the Arts board of directors.

Twitter title
Truth and Reconciliation Day 2023
Twitter description

A message of acknowledgement of Truth and Reconciliation Day from the Alberta Foundation for the Arts board of directors.

Art discipline
Collections Database Image
Collections Images Slideshow
Jessica Desmoulin
GRANDE ENTRY
2019
Jessica Desmoulin
GRANDE ENTRY
2019
(back view) felted wool, beads and leather